Why will no other turntable beat the EMT 927?

And they don't have manufacturing capabilities to produce something like the 927 or the 930. Manufacturing at that level is a huge undertaking and given today's costs it would be price prohibitive for a minuscule audiophile market.

We're talking about nuances and perspectives in musicality here, much easier to demonstrate than write about. In the purest sense I would say that the American Sound is the most neutral and Natural. Yes a live concert is the ultimate experience and you'd be surprised how much of that Real experience exists in good recordings and tts like the 927 will bring it to you.

Differences between these tts isn't a matter of coloration but perspective. It's the same as sitting in different locations in a concert hall or club. Your insight and emotional experience will change accordingly. We're not the same and we will relate differently to the same experience. You'll notice that regular concert goers have their favorite seats and will change them at times depending on performance or mood. Try it some time, go to a concert hall visit the same performance, start in the orchestra half way center hall and then move to a side balcony box close to the front and change again to a center balcony box in the same or other floor. You'll have a distinctly different sound and musical experience in each location. Even moving seats in the same box from front to rear changes things. Is any location more neutral or Real? They're all Real just different but you might prefer one location best and that's how I see these tables, different versions of the Real. Airforce One allows further tweaking of your favorite seat. When I lived in NY I used to go to Carnegie Hall on a regular basis, 4 to 6 times a month during the season and I had my favorite seats. My preferred seat was in the orchestra, center hall about 2/3rds from the front. The sound was almost always, sweet and full bodied, glorious like the EMT 927 if you want. My other regular seat was 1st floor balcony, 2nd box stage right and one of the two front seats. The sound was somewhat dry and detailed easy to focus and hear the individual instruments, more Micro Seikish if you want. Same Real but different perspectives. The American Sound somehow gives you both and supposedly with the Airforce you can get one or the other perspective by changing platters. I hope this will help clarify some of the confusing.
david

I came across that thread a little while ago, the energy and the camaraderie there moved me and brought me right here to participate in this thread after years of avoiding audiophile forums like the plague. It was a great feat that he pulled off restoring those tables but I wonder why he really got in the end. This wasn't a straight forward restoration job, so much had to be remanufactured and they could be all over the place with it. The best they could do was follow some of Mr. Franz's footsteps but they don't know his heart and mind, the 927 is way beyond straight forward engineering and the sum of its parts, its ART!

Even if there was a theoretical market for a company to start reproducing the 927, without the creator it will never be right. Take 927 vs 930, on paper outside of scale are almost identical but sonically they're worlds apart. One is a creation and the holy grail of record players while the other is only a great piece of engineering. As an accomplished designer you know exactly what I'm going on about here.

Mosin,
Jean did a brilliant project when restoring the double deck. In case of the motor it is an over dimesioned design of fully industrial production at a specialized German motor producer. You see similar "guys" in the Studer C37, very heavy and very stable, these units will survive us! When the 927 motor is running and you are going close by with you ear you may hear a typical sound.