DJs like the 180g records; they're heavier, and have a better feel for spinning and scratching.
In the original days of vinyl (aka records or LPs), audiophile recordings were pressed on 180g virgin vinyl rather than the common 120 to 140 gram. It's my understanding that creating a thicker record with deeper grooves could hold more information.
Nowadays, identifying a record as "180 gram" is a marketing term; if it's thicker, it must sound better.
A good sounding vinyl pressing comes from good mastering, an expert record cutter and technicians, and well maintained equipment. The actual vinyl disk could be 120g and have excellent sound.
Of course, some of today's pressings do have excellent SQ, my point is that it's not due to the vinyl being 180 or 200g. But that's what they've given us.
As far as advantages, one of the selling points is less likely to warp, even though some new records are leaving the record plants warped.
In the original days of vinyl (aka records or LPs), audiophile recordings were pressed on 180g virgin vinyl rather than the common 120 to 140 gram. It's my understanding that creating a thicker record with deeper grooves could hold more information.
Nowadays, identifying a record as "180 gram" is a marketing term; if it's thicker, it must sound better.
A good sounding vinyl pressing comes from good mastering, an expert record cutter and technicians, and well maintained equipment. The actual vinyl disk could be 120g and have excellent sound.
Of course, some of today's pressings do have excellent SQ, my point is that it's not due to the vinyl being 180 or 200g. But that's what they've given us.
As far as advantages, one of the selling points is less likely to warp, even though some new records are leaving the record plants warped.