Worlds best DAC


Went to CES this year to work on my transition to high Rez digital. I've heard many of the highly regarded players in my room or in others systems in the past. I'm actually very happy with my current cd based sound. As I listened to various DACS playing CD then high Rez, I was not bowled over. High rez was better, but only slightly so. The best (and most different) sound I heard happened to have one similarity. They were 2 non oversampling DACS with tube analog stages(Zanden and Ypsilon). These were without question the most natural sounding digital systems I heard at the show. They made CDsound miles ahead of high Rez. What gives?

PS: I understand the limitations of show auditions.
bflowers
I have been invited to listen tothe Metronome Kalista Ref SE Thursday with the new Wilson Alexandria XLF and the D'Agostino Momentums. Will post.

Meanwhile, the more i think about it...the more i think hi-res has some ways to go...particularly on the music selection side. Since i already own the Zanden and have been exceptionally happy with it for the last 5 years...i might just look for a 2nd hand Zanden transport and be done with it for a few more years. While i think computers have done an incredible job of trouncing transports on a 'dollar per pound' basis, i still find the best SOTA transports (particularly ones designed to go with specific DACs) preferable to my ears. Plus, i am not a fan of trying digitize my whole collection...deal with crashing computers, backup files, etc...i just like to drop in a cd and push play and go back to work.
So i was (very kindly) invited to the introduction of the new XLF...superb room...D'Agostino Momentum monos...Kalista Ref CD player, ARC Ref 5SE preamp...Transp Opus MM2 Cabling throughout. On the face of it...a superb system and one to be reckoned with. Here's my view of the experience:

- Supreme 'density of signal'...greater by a 'meaningful margin' than Audio Exotics room in Hong Kong (Tidal Sunrays with 2 Tidal tower subs, 3 sets of Tidal Impact monos, Tidal Presencio, Stahl-Tek Vekian, Argento Master Ref cabling, Tripoint grounding/AC).
- This is where i think newer electronics have come a long way (and good speakers thought not necessarily 'the newest ones'...older SOTA is still amazing)...in being able to take the signal and through substantially lower noise floors, more exacting detail retreival...really are able to deliver a very strong, focused, concrete music signal. Older electronics...mainly digital...tend to deliver a 'weaker music signal'...almost like a flashlight where the batteries are getting low.
- On this system...it was like brand new lightbulb and batteries and flashlight. Very impressive.

- Better bass than i recall with X2 Series 2...but that's not a definitive statement because too many variables. What I CAN say for sure, is that this XLF will NOT replace any well setup X2 Series with a good sub. That is not close.

sound on tracks i know extremely well was 'a bit shouty'...which surprised me. I am going to give the system the benefit of the doubt and say there were probably more than a few new components...most likely the Ref 5 SE, as well as of course the speakers, and possibly the Momentums and speaker cables.
- By 'shouty' i mean that even on Amos Lee...on whom Norah Jones does background vocals so you get the idea...his voice felt a little like he was singing/shouting. And that was not the only track where i felt this touch of slightly raw overpowering force.
- Based on what i understand about the new tweeter, and what i already know about the X2, X2 Series 2 and likely the XLF mids, i might point at the Momentum monos which i have heard are 'slightly harder' than the stereo version. I am familiar with the Kalista, Ref 5 (non SE), Transp cables and the X-1, X2 series, so that is my guess.

i appreciate the opportunity to hear it, having heard the Audio Exotics Room last year with similar/same music. Feel free to ask/PM for any other observations.
I don't know how the original question could be answered.
1. No one has heard all the DACs available.
2. Even if someone had heard all DACs that are available, the "best" would be an opinion which could very easily differ from listener to listener.
3. All DACs would have to be heard through the same system in the same room with as few variables as possible.
4. Just as an opinion was being formulated a new DAC would appear that could possibly throw the whole deal out the window, a moving target so to speak.
I'm always leery of "the best" threads.
I don't know about best, but I can say this:

I have yet to hear another digital front end that sounds as liquid, as analog, as musical, as my NOS, tubed, Audio Note DAC 4.1 fed computer files. I have heard only 1 or 2 analog systems that I'd say sounded "about" as musical.

fwiw, I've been a musician for 34 years on a variety of instruments so I'm extremely familiar with the natural prat and timbre of real instruments and live performance.
Hi Jon,

Good to know...just read your post. How have you found 'SOTA' transports compare with computer fed files? I would believe that computer files would compete very well on transports up to around 5K, maybe even more...but given the status of your AN DAC 4.1, it would certainly warrant true SOTA transports! I am wondering if you have made the comparison...thanks for any insights!