3-4 dB dip at crossover region: what should I listen for to hear it?


I haven’t posted here for about 10 years but thought I’d jump back in to ask about my new JBL 4349s. According to measurements on ASR and even JBLs own graphs, the 4349s have a 3-4 dB dip in the crossover region at about the 1.5 kHz mark. What should I listen for to hear this? I understand that music in this range will be quieter, but I’m not hearing any suckout compared to my Omegas or other speakers Ive had in my system. I’ve played some clarinet and violin concertos, two instruments that spend a lot of time in this frequency range, but I can’t hear an obvious difference. Am I listening for the wrong thing? I’d like to be able to hear this deficiency for leaning purposes if nothing else, so any pointers are appreciated.

 

Many thanks!

rischa

Thanks to everyone for the responses. So it seems like a narrow dip in spl at one point in the range is relatively inconsequential, at least in this instance. That's good to know.

 

@roadcykler, your post is surprising on an audiophile forum. Whay do I want to hear the dip? Because I want to be able to correlate the measurements with my listening experience. Or in this case, to learn that the the dip has little effect on what I'm hearing. If none of this was important, I'd just buy some old Pioneers at the goodwill and be done with it. I like learning about audio almost as much as I like listening to music -- it's how I put together a system that presents the music at its best.

If you can’t hear it, you can’t hear it. don’t force yourself to.

MANY speakers have ragged response graphs far worse than this, and they are often credited with being "revealing" and making the reviewer go through their entire music catalog again as if they are hearing the songs for the first time. Amazing!!

What actually happens is that the ragged response makes some notes pop more than others, tricking your ear into believing it to be more revealing, and it is, but only in some ways.

This is overall a very smooth measuring speaker, with the potential for excellent off-axis performance and dynamic range. JA at Stereophile has certainly praised a number of speakers that measured far worse.

Just, for the record, using a cheap SPL meter and frequency generator is so 1990s.  Get Room EQ Wizard with a calibrated mic (~$80) or OminMic and do it right. 

Alternatively, use your phone with AudioTools with something like the Dayton Audio phone mic