450 Pound Monobloc Amplifier


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The Boulder 3050 monobloc weighs 450 pounds, 1500 wpc.

A pair of monoblocs weighing right at a half-ton...amazing.

The Pass Labs XS 300 monobloc weighs 300 pounds, 300 wpc.

With all of the advances in amplifier design, does an amp really have to be that big to get the results they're after?

The 1500 wpc D-Sonic monobloc weigh 12 pounds...I love it!
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128x128mitch4t
"Hey Tim, I think you are right on the money. I believe with a decent amount of money thrown at R&D, the switching amp could be to linear amps what digital cameras did to film cameras."

Mitch,
Excellent analogy.

The R&D funding and progression of class D is happening right now. It started with the I.C.E. modules/amps, moved on to the Hypex modules/amps and the latest is the Abletec technology from Norway and Sweden. D-sonic is supposedly using this latest version in their top of the line monoblocs.

Major trends are probably identified more easily when looking retrospectively. It's much more difficult to distinquish between a major trend, as oppossed to a passing fad, when all of us are in the midst of the fast paced technology changes. My money is on later generations identifying class D as a major trend and paradigm shift in home audio. It's too good to be just a fad.

I recently 'put my money where my mouth is', replacing a 23 yr old Aragon 400 watt class A/B 65lb amp with a Class D Audio 440 watt SDS440CS amp that is 1/3rd the size and weight. My system, for both 2-channel and ht, has never sounded better. This amp has no problem driving my older magnepans and I've never heard them reproduce better bass. I do think, though, that pairing class D with tubes in the chain(preamp,DAC,phono stage, CDP) is important to acheiving the magic. Class D amps seem to be inherently very detailed and neutral, which is perfect for some but I prefer more warmth and dimension.

However, I just took a look at your very nice system. I would completely understand if you're not in a hurry to replace those Pass amps. Maybe you should wait until the next latest and greatest class D incarnations come out.

Thanks,
Tim
03-17-13: Tomtab
"i was told many years ago in audio that if you bought by weight alone you could never go wrong.i guess im old school."

Tomtab,

I would recommend using your ears in choosing an amplifier, not heft.
I hope you didn't follow this old school advice by choosing your wife, or significant other, by heft alone.
Sorry,Tomtab, but I couldn't resist. No offense intended.
I would agree. A decent tube pre-amp + Class D amp is a hard combo to beat for overall versatility and good sound.

Maybe the Class D trend will ironically provide a fresh boost for tube based gear as well. That would be ironic. Could be just what high end audio needs though, an effective blend of the best of the old and new that people might actually want in their homes and be able to afford to boot.

450 pound monoblocks are a very cool statement, but is there any doubt the market for 450 pound monoblock amps is limited?
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Tim, I love the sound of my Pass amps and I'm in no hurry to change. However, I have no loyalty or sentimental attachment to them. If I hear a set of switching amps that outshine them for less money, I'd change in a heartbeat and never look back. To me, its all about how an amp makes the music sound...and nothing else. For me, the best sounding amp wins, period.

Congrats to you for making the leap to a switching amp. I agree with you that having tubes in the chain could help warm things up. I should be fine in that area if I should go with a switching amp since I have tubes in my preamp, cd player and phono stage.
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