$800 Cartridge Shootout and Upgrade Path

I had an Aurora Gold here for audition about a year ago. I used my own arm and cartridge on it, and also an Encounter arm, a Shelter 501, and a DL103R, and a Music Maker II.

IMO, it did not even compare to my Teres in sound quality, or build quality. I sent it back. I've never tried the OL Resolution table.

I have had suspended-chassis turntables such as Linn, and others, and have worked on alot of others at the shop I worked at. Listened to most of the other brands too, over a long time. I once liked the suspended designs, but have come to feel that the unsuspended designs are more to my liking.

There are some inherent problems with suspending a belt-drive turntable on springs, due to the suspension interacting with the drive system, in a bad way. In addition, while the suspension may help with some floorborne vibrations, it does nothing for airborne vibrations.

Funny as it may sound, my(no longer with me) Linn LP12 suspended turntable was far worse with footfalls and floorborne vibrations, than my current Teres is. Funny because the suspension system is supposed to isolate the TT from floorborne vibrations and footfalls. The Linn used to dance all over the place, even when I tip-toed, and the Teres stays rock-solid, and has no audible or visible effects at all, even when I have my big Rottweiler jumping around in front of the TT.

Artar1 - never heard a Shelter cart myself, but I am sure you are in the right track based on others opinions.

Fernando

Artar1 - My experience with tables is not as large as some others, I have had Linn (LP12 and Axis), Michel Gyro, Rega P3 and VPI HW19MKIV (current), as you can see those have a different suspension approach.

I have heard Acoustic Signature tables and sound fantastic, but not the Teres line. I feel keen towards mass loaded tables with proper shelves to control resonances (Nuance, Bright Star, Ginko, etc..), I am considering this tables, and would like to share the list with you:

1.- Avid (Diva or Volvere)
2.- Acoustic Solid (Check ETM coverage by S. Rochlin)
3.- The Bixx table (with optional battery PS)
4.- Wilson Benesch Act1

Unfortunatly I have added more variables to the equation instead of making it simple, but I think you are on time to pick and choose the best for you.

Fernando
I have not heard the last two odf this list, please keep that in mind.

Artar1 - I forgot to add the Nottingham Spacedeck in the list - sorry.

Twl,

I am not surprised to learn of your objections to the Aurora Gold in terms of build quality. The pictures of it on the Origin Live web site tell me that story. But it is interesting to learn that you were dissatisfied with the sound. However, maybe that shouldn’t be a big surprise either.

I read several reviews of the OL turntables. One was in Hi-Fi+, a magazine that seems to love everything British, especially Origin Live. Then Paul Szabady of the Stereotimes seems to be equally dazzled by everything OL just like Hi-Fi+. I am sure there’s no tacit collusion, but I am just a wee bit skeptical of Szabady when he uses the Linn as a reference standard. There are several turntables that have eclipsed the performance of that analog veteran so as a yardstick it’s no longer that impressive. Then I could not help but notice Origin Live advertising on the Stereotimes web site. While this is not a crime, it does cause me to wonder about the truth and objectivity of that online publication.

What surprised me the most was Fremer’s review of the Resolution Modern in the July issue of Stereophile. He stated that the Resolution Modern was one of the truly special products he had auditioned in the past 18 years. That’s quite a statement, but yet the turntable only ended up in Class B of Stereophile’s rating system. (Maybe Atkins was not as impressed, or maybe he thinks that his Linn is still the reference standard?) Whatever the case, it seems that Fremer has bestowed greatness on a number of products lately, which raises some doubts in my mind about his objectivity.

>>I have had suspended-chassis turntables such as Linn, and others, and have worked on a lot of others at the shop I worked at. Listened to most of the other brands too, over a long time. I once liked the suspended designs, but have come to feel that the unsuspended designs are more to my liking.<<

I don’t have this level of experience. The last mass-loaded turntable design I listened to was the Clearaudio Master Solution. I had no complaints with its sound whatsoever. The price of the deck was another matter.

With my limited knowledge, a suspended design turntable cannot overcome all of the problems of a suspended floor. It can minimize them, but not eliminate them. A wall mount is the only way to go, but it has problems too, especially if one’s home is vulnerable to the vibration caused by street traffic. As for airborne vibrations, you are right about them, especially if the music is played loud and subwoofers are employed in a smallish room in which the turntable has been placed too close to the speakers.

>…even when I have my big Rottweiler jumping around in front of the TT.<<

You are a brave soul; that would make me very nervous!