"Anyone attending regular concerts and wanting a very true rendition of the instruments at home can find the sound getting old after a while."
I think this gets to the crux of the issue at hand. From my personal viewpoint there are two kinds of listeners', those that REALLY are searching for a presentation that mimics real music in the space it was played, in other words maximizing what is on the recording and then there are those that settle for a sound based on their musical tastes and preferences. If one has eclectic tastes and listens to ALL types of music including large scale, the upper frequency and bass range as well as the midrange MUST be reproduced accurately to convey the performance, any coloration in any of these areas will eventually be realized to the critical listener and ultimately lead to fatigue and diminished pleasure over time. Why do so many keep changing gear as frequently as they do I keep wondering?
Kidmann your point of listening to live music as a benchmark in what to listen for in an audio system can not be overemphasized. I am sometimes astounded by some of the systems I have listened to from VERY experienced, seasoned audiophiles and it has nothing to do with achieving the absolute sound, too each his own and I guess this is the bottom line. It is why it is SO difficult to recommend anything without having a real sense of what a particular listener wants to achieve.
Furthermore your point concerning "impressionistic" really drove home to me the difference between artistic representation of music versus realism, indeed it comes down to what do you prefer, art vs. reality?
I think this gets to the crux of the issue at hand. From my personal viewpoint there are two kinds of listeners', those that REALLY are searching for a presentation that mimics real music in the space it was played, in other words maximizing what is on the recording and then there are those that settle for a sound based on their musical tastes and preferences. If one has eclectic tastes and listens to ALL types of music including large scale, the upper frequency and bass range as well as the midrange MUST be reproduced accurately to convey the performance, any coloration in any of these areas will eventually be realized to the critical listener and ultimately lead to fatigue and diminished pleasure over time. Why do so many keep changing gear as frequently as they do I keep wondering?
Kidmann your point of listening to live music as a benchmark in what to listen for in an audio system can not be overemphasized. I am sometimes astounded by some of the systems I have listened to from VERY experienced, seasoned audiophiles and it has nothing to do with achieving the absolute sound, too each his own and I guess this is the bottom line. It is why it is SO difficult to recommend anything without having a real sense of what a particular listener wants to achieve.
Furthermore your point concerning "impressionistic" really drove home to me the difference between artistic representation of music versus realism, indeed it comes down to what do you prefer, art vs. reality?