Dover:
My TT-1000 by itself has a little less mass in the platter system than stock (I needed to shave down the top of the platter to get a flat surface for the graphite mat to bond onto). Add the center clamp, and the net weight ends up pretty close to stock - not enough to warrant readjusting the servo gain.
Still, your point is valid - the servo control of a DD is typically set up with a certain load range in mind, and if the user alters the load significantly from what the manufacturer originally intended, it is a very good idea to reassess the servo gain.
I will add that many DD turntables were designed with a specific lubricant in mind. Some turntables were even designed so that the spindle functions like a self-pressurizing, self-centering Archimedes pump (similar to many PC cooling fans today), and if you change the lube, you may adversely affect the self-centering action of the pump/spindle.
I know that various DD models by JVC, Yamaha and Kenwood fall into this category. I recommend reading http://37282.diarynote.jp/200708102338400000/ and http://37282.diarynote.jp/200708111505150000/ These pages are in Japanese, so you may need to send them through a translator.
The A.R.T. graphite mat that I have bonded to the TT-1000 (using a permanently non-hardening adhesive, causing it to function like constrained-layer damping) has a recess for the LP label, and yes, I have done much experimentation with washers under the LP. Here again, I suggest using these in moderation - only as much as needed to bring the edges of a dished-up LP back in contact with the mat (or platter surface). My testing has suggested that imposing physical stress on an LP while playing it (which is what too-enthusiastic use of washers is wont to do) will adversely affect the sound.
Dover, you have a Final Audio? So do I (grin). My unit predates the Takai-era Parthenon, but is new enough to have the SPZ plinth rather than the original granite. It also has the bi-phase motor controller. FWIW, Kitamura's preferred material for mat and clamp was chrome copper rather than gun-metal. I haven't done A/B tests on chrome-copper vs. gunmetal, but based on A/B tests that I have done on gunmetal vs. other metals, my conclusion is that gunmetal isn't a material that I would care to use for sonic applications. I prefer the results with phosphor-bronze or beryllium-copper, and I imagine that chrome-copper would also work well.
cheers, jonathan carr