Brett, hearing tape hiss on albums from this analague era is a good thing. It means there is minimal compression during the mastering process. With the natural noise floor of the recording intact, we hear the ambience of the room and separation of instruments.
After upgrading my digital, I went on a tear buying early release Redbook to replace any remasters and CDs with poor SQ. The best were usually mastered in W. Germany followed by Japan. The Japanese like their digital clean and analytical.
I'm right there with you on the flat transfers of Zeppelin, Hendrix, Cream. Discogs is the place to go to find the best pressings.
And funny you should mention the remaster of Floyd's WYWH. My Redbook sounds excellent, it may be from the same session as the SACD remix. I own a few of the remasters that were released. I also own some original Japanese PF.
Now that I have good digital playback, it sounds very much like analague, but very dependent on the source material.
After upgrading my digital, I went on a tear buying early release Redbook to replace any remasters and CDs with poor SQ. The best were usually mastered in W. Germany followed by Japan. The Japanese like their digital clean and analytical.
I'm right there with you on the flat transfers of Zeppelin, Hendrix, Cream. Discogs is the place to go to find the best pressings.
And funny you should mention the remaster of Floyd's WYWH. My Redbook sounds excellent, it may be from the same session as the SACD remix. I own a few of the remasters that were released. I also own some original Japanese PF.
Now that I have good digital playback, it sounds very much like analague, but very dependent on the source material.