@facten
Because those two are only a hair worse then the Benchmark DAC3, and the Benchmark is considered to be totally transparent (John Atkinson of Stereophile even said “Benchmark’s DAC3 HGC offers state-of-the-art measured performance. All I can say is "Wow!"”), and likely more accurate than the Pagoda.
Also, it’s a tube DAC, so it already will be colored, by initial comment was about accuracy. The Pagoda also doesn’t list any specs except of a crappy frequency response deviation, totally a joke for a >$1000 DAC, would be even a joke at $100, Schiit even provides the whole AP report for their $100 Magni 3.
Tubes don’t offer anything that can’t be done with EQ/DSP, so I’d rather have transparent gear and tune their sound to my preference rather than buy colored gear and hope it sounds good.
For those that want to tune but can’t do it upstream and don’t want say a MiniDSP, the RME ADI-2 DAC has a good amount of tuning capabilities and is a good DAC.
Because those two are only a hair worse then the Benchmark DAC3, and the Benchmark is considered to be totally transparent (John Atkinson of Stereophile even said “Benchmark’s DAC3 HGC offers state-of-the-art measured performance. All I can say is "Wow!"”), and likely more accurate than the Pagoda.
Also, it’s a tube DAC, so it already will be colored, by initial comment was about accuracy. The Pagoda also doesn’t list any specs except of a crappy frequency response deviation, totally a joke for a >$1000 DAC, would be even a joke at $100, Schiit even provides the whole AP report for their $100 Magni 3.
Tubes don’t offer anything that can’t be done with EQ/DSP, so I’d rather have transparent gear and tune their sound to my preference rather than buy colored gear and hope it sounds good.
For those that want to tune but can’t do it upstream and don’t want say a MiniDSP, the RME ADI-2 DAC has a good amount of tuning capabilities and is a good DAC.