After market Motor + Belt drive for Verdier


I have been looking to upgrade my TT motor and belt drive for some time now. I use a Nouvelle Verdier and its only sore point is its motor and silk thread drive. It is not bad, it gets the job done. The sound is neat and in general non-offensive. However, when I used a 0.25 inch magnetic tape (reel to reel) to drive the platter the overall sound became more dynamic, voices sounded younger, instruments sounded happier. It was as if the pitch of all the instruments became more realistic. But then I also heard more of the irregularities of the motor rotation, the timing of instruments messed up a little. The background was no more as clean as the thread drive.

This told me two things:
1. Silk thread is good but it affects music in a way that makes the performance a bit sleepy.

2. The stock motor is not good enough to accommodate a tighter coupling with the platter.

So, I am now looking for after market motor and belt drive solution. I looked at Teres motor but for that to work they require a sensor to be placed under the platter but my TT doesnt have enough gap between the platter and plinth to place the sensor. I am looking for some viable suggestions here.

A friend of mine suggested me to consider a flywheel between the motor and the platter which will absorb the motor irregularities. I dont know if it is worth a try because I see many good TTs do not have a flywheel, that means a good motor is all I need I guess but I am open to the flywheel idea also.
pani
Hi Pani
Just curious how the magnetic 1/4" reel to reel tape engages on the stock motor's brass spindle. Does the tape fold into a V shape as the motor turns 33.3 rpm ?
Thanks,
Hi RugyBoogie,
I have tried folding the tape into the V shape, I also tried pushing the tape all the way down where there is a flat surface to just about hold the tape width. I also got another brass capstan made which has a flat groove just to accommodate the tape width. The important thing to note is the effect this tape drive has on the sound. If you read my post right at the top I have mentioned that the instruments sound "happier" and voices sound "younger" as they actually should. It is not a tone change, it is a more fundamental change, it is something to do with the pitch of the voices and instruments. If you have ever heard a master tape or even a good Nakamichi tape deck playing cassettes, there is a certain agility with which instruments springs to life, instruments have realistic weight but never sounds over weight. Something similar happens when the tape drive is connected and that is exactly what I miss with the silk thread drive. It is a fundamental thing. If you listen to music you have grown up with you will know this instantly, you will not know this on lesser known music or typically audiophile music (Diana Krall types). Verdier is a TT for life if these things are fixed, no doubt about it. Only thing is, after paying $10k for a TT, one would like to settle down and not fiddle around to get things right, that feeling some times weighs me down.
Only thing is, after paying $10k for a TT, one would like to settle down and not fiddle around to get things right, that feeling some times weighs me down/

Pani –imo - If anything a more expensive turntable makes things worse as it highlights other problems in the chain, including the platform, the tonearm, cartridge and phonostage. If you tell us your tonearm, cartridge, phonostage - maybe someone familiar with them can say how those components affect the sound.

Have you inserted the teflon washers yet ?

Of the turntables I have owned and currently own the Verdier is the most like an actual musical instrument - a tool - as far as tuning it goes and how it reacts to everything. I can't do as much with my Idler and DD except play around with different platforms.

I feel it is important to determine the type of music listener/audiophile we are. I know audiophiles that touch nothing in setup, and lets others do it. Its like their car. They just put gas in like a record here. If something goes out they need to call someone. I’m just saying.....

I have question as I am curious about something. When I play 33 1/3 records my dial on the motor is just to the left of 12 O’clock on the dial. Be interested in knowing where it is for others with the stock motor.

I know its been higher in my first setups (closer to 1 or 2 pm) because I left small blue tac dots on the casing to remind me. No where close to that now. Is this an important consideration in setup ?

Does higher on the dial make the motor more stressed ?
Cause less stability ?
Is it better to get it set up so that the dial is lower ?

Any thoughts on this from the Verdier veterans ?

Curious.
Hi Ct0517,
I have not yet done the Teflon washer thing, I am not too handy with DIY and when I see wires running inside the motor housing I get nervous.

I use a Naim ARO tonearm with Miyabi Red Rose (Standard) cartridge and RCM Sensor Prelude phonostage. I listen mostly to Blues, Rock and Swing Jazz, so PRAT and tone are very important for me.

BTW, I forgot to answer your earlier question, you could stick the reel tapes with the use of Super Glue (instant glue).
I use a Naim ARO tonearm with Miyabi Red Rose (Standard) cartridge and RCM Sensor Prelude phonostage

Pani - fyi - this is just coincidence. Dover's last post on the ET2 thread. He uses a Final Audio string drive.

"The sound of the Naim Aro is quick, lucid through the mids, excellent soundstage and very musical. The downside is that I believe it has a very narrow operating window in terms of cartridge compliance and mass. The Dynavector Nova 13D sounds excellent as does a Denon 103D. The Koetsu Black sounds awful, unstable in the bottom end."

Hi Dover - if you happen to see this and can add anything?

Pani

if its the same inside like the Platine motor, the hardest thing about putting the teflon washers in is not losing the little aluminum washers that are there when you lift it out. The only wire you disconnect from what I remember is the ground. The washers cost one dollar.

Cheers