Emotiva 6s.
For $100 more you get larger drivers, twice as much power, twice as much
weight in the cabinet. The 6s will play
lower (bass) and will have a more refined sound in comparison, so it is
definitely better. I was just trying to
play in your budget sandbox and the 5s was already more than what you were
looking at with the Audioengine A5+. I
also threw the more expensive NFB-29.28 out there as an idea because the
cheaper 11.28 had limited inputs (only 3 digital inputs and no analog
inputs). The more expensive NFB-29.28
also has two sets of RCA outputs – you could use one of these sets to connect to
a subwoofer in the future to help fill in the very low bass.
You could upgrade either the Airmotiv or
the Audio-GD DAC and get better sound – or upgrade both. It all depends on your budget and what you
really want. The 6s will definitely be
an improvement in sound experience (but punch/bass for TV). I think the cheaper NFB-11.28 will be totally
fine for your situation. Just know that
you are limited on expandability.
CABLES: I make all my cables by hand. They use Furutech Rhodium Carbon Fiber XLR
connectors and 20awg solid-core OCC copper conductors in a double-braided
configuration (making a 17awg interconnect).
The cost would be about $800 for me to make a 1-meter pair for
someone. This has been the best sounding
cable with the most resolution I have heard to date. I have had the opportunity to compare it to
the Wire World Eclipse 7 XLR cable at $450 for 1-meter (NOT the Silver
Eclipse). The sound was very similar and
the Wire World was an excellent cable. All
the detail was there, but the Wire World was just slightly softer / laid-back
in comparison. The Wireworld design is
not quite solid-core (all the conductors are set side-by-side like a ribbon
cable), but it is not nearly as bad as stranded conductors either. For the money, it is an awesome able.
IMPORTANT: On another note, one more thing
you should be aware of is the A/C voltage.
I know 220V is usually normal in Europe, where US is 120V. Some equipment can be configured/switched to
use different voltages, some equipment will automatically sense and
adjust. Some equipment will need to be
send to manufacture to be modified internally.
You might was to make sure from the seller if a non-adjustable item is
configured for your local A/C voltage.
So
if I were to do it right first time round for the vinyl setup then I should go
with the Hegel integrated amp, the Gustard DAC, and the PS Audio Nuwave phono
preamp. Is this regardless of which speakers and turntable I choose?
Yeah, this would be a very fine setup regardless
of turntable. There could be other good
choices for phono preamp, and it is obviously based on what you can get shipped
to you.
There are a couple Silver 10 available on
UK Ebay site. Hopefully, these links
come across:
http://www.ebay.co.uk/itm/New-Monitor-Audio-Silver-10-3-way-250w-floorstanding-speakers-in-Black-Oak-/382244206068?epid=1824988012&hash=item58ff87b5f4:g:iowAAOSwojxZlxtn
http://www.ebay.co.uk/itm/Monitor-Audio-Silver-10-Speakers-Pair-Walnut-/332406853482?hash=item4d64fe0f6a:g:HcEAAOSwEIFZ272G
The Monitor Audio would definitely have the
combination of warm/detail and low end punch that you want and still be in your
budget. They are 4 ohm speakers, so the
Hegel would probably be the best integrated out of the list, since it has the
largest power supply (critical for low impedance speakers).
There are some B&W CM8 or CM9 speakers
on UK Ebay. The B&W will have a
warm/full midrange due to the Kevlar midrange driver. The Kevlar does have a breakup issue where the
midrange is somewhat smeared, but it is still very nice sounding. However, these B&W speakers will not have
the low-end punch that the Monitor Silver 10 has. The B&W’s have very small
5” or 6.5” drivers in comparison to the two 8” drivers in the Silver 10.
I would avoid Tannoy speakers. In my listening tests, I did not like them
because they were so laid back. I have
also heard that Sonus Faber is laid back as well.
Older tweeters were typically soft-dome
(which is a synthetic material) or metal dome (such as aluminum or titanium
dome). The soft-dome were very nice
sounding and did not have breakup/resonance issues, but they did not have quite
as much resolution. The metal dome
tweeters help with resolution, but the metal material would breakup/flex/resonate
are the tweeter frequencies and this caused the sound to be very
bright/harsh. The ribbon tweeters do not
have this breakup problem, but they also sound laid back and are not as
exciting. The C-CAM tweeters are based
on ceramic material, which is an excellent and stiff material. The newer
ceramic / beryllium / diamond tweeters have better performance, but they can be
a lot more expensive.
I was using B&W Diamond (D2) series speakers,
which I find to be excellent (but they are wayyy out of your price
budget). I was looking to upgrade and
the Monitor Audio Platinum was on my list, but I decided to go with B&W D3
because of the diamond tweeters. The
Monitor ribbon tweeters were noted to be not exciting (but still extremely
smooth and nice sounding). I am very
happy with the B&W D2 and D3 series.
I put the Silver 10 as a recommendation because it does use the C-CAM
tweeter. For your budget, I can’t think
of another speaker I would recommend. I
will say that I am not well versed in speakers and there are a lot of other
options out there.
----
Regarding your question on sub. A subwoofer is usually needed when the listener
wants extreme bass response in movies/tv.
I’m talking about earthquakes, explosions, massive bass thumps. It’s a matter of taste. If you just want to watch “general TV”, the
Airmotiv/Audio-GD is fine. If you were
really concerned, you could get the more expensive NFB-29.28 and add a
sub. The Airmotiv will play “full range”
and the subwoofer crossover would be set low at about 40-50hz to fill in the
very low bass.
The Yamaha is better than the Hegel?
No Way.
This must be a joke! Lol.