Anti skate. I think something's wrong


I have an Acoustic Signiture TT with a Graham 2.2 tonearm and Ortofon Cadenza Bronze cartridge. My anti skate is set close to tracking weight and it would always dig to in inside when I would start a record. I read this is wrong so I got my Cardas test record out and placed it in smooth section and it imediately gravitated to inside. I adjusted anti skate to where cartridge slighty pulls to inside . Here is the problem. To get this I'm having to adjust anti skate to the max. I rechecked TT and it is right on level wise. I have less sibilence now and swear the two channels are more even. The right channel has always been just slightly lower than left in volume. The only qualm I have is the max antiskate I have to use. Is bearing bad? I have the blue fluid. Or I shouldn't worry and enjoy the music. Mike
128x128blueranger

Lewm, Your point is moot. Obviously skating is caused by friction, but why is there skating on a pivoted arm and not on linear?

Skating is caused by both lack of tangency and offset angle, and is still present at null points due to offset.  Why does a pivoting arm with no offset (RS Labs) still have some skating?  Lack of tangency. 

Regards,

Flieb, Thanks for saying exactly the same thing that I said in fewer words and without the physics lesson.  If my point(s) were moot, your points are moot-er.  I realize that an experienced person such as yourself would have the facts well in hand. My post of 4-13 was aimed only at those who might not.

The RS-A1, and any other tonearm designed for "underhang" and lacking any headshell offset, WILL achieve zero skating force at the one (not two) points across the LP surface where it also achieves tangency. (Because the stylus underhangs the pivot, there can only be one point on the arc where tangency to the groove is achieved. However, at that one point, there is no headshell offset to generate skating force.)  I know you know this, Fleib.

Why is there no skating force on a linear tracker? The whole idea, as you know, is that there is ALWAYS tangency to the groove, and there is never headshell offset angle. Thus, no skating force. However, in practice, if there is even a minute error in set-up; if the stylus is not exactly on the imaginary line that describes the radius of the LP, then there will always be that tiny amount of skating force.  Also, if there is any play in the bearing such that the stylus can describe even microscopic arcs as it travels across the LP, this too will generate a small skating force.  The Rabco/Goldmund linear tracker actually depended on its loose bearing to periodically activate a servo motor that dragged the assembly across the LP.  That was not a good design, IMO. I know you know this, Fleib.

Lewm, you're welcome, and thank you for admitting, I am mooter than thou.

You're right about most linear arms lack of tangency. Often the pivot is playing catch-up, but to what degree is there alignment error and how does this compare to pivoted arms? 

Regards,

I suspect that there is always a tiny amount of tracking error and a tiny amount of skating force and that both are so small in magnitude and so relatively constant across the LP surface that these two qualities (small and constant, compared to a pivoted tonearm) account for why we hear linear trackers as sounding different from pivoted tonearms, although not perfect.
Lewn, while theory is a good place to start experiments, you still have to try it out in real life.  While it's possible that Peter Lederman was predisposed to look for that asymmetrical stylus wear to prove what he believed, it's also possible(and maybe more probable) that that's what he actually found.