Oh, Man, you HAD to ask which model it was?? Now, you'd think I'd remember, but I don't. I remember the price was around 9k for the pair, because UPS had to come and inspect the damaged box (man, they must have dropped it from 8 feet high!).
When you hear a speaker that doesn't have any "fog" whatsoever surrounding the instruments, THAT is what live music is like. Unencumbered by any artificial humidity, aka "noise," the sound simply moves through the air. I'm used to good sound, but this was simply exquisite. It's a shame they were damaged, because I couldn't be absolutely sure of the dynamic range/contrast or bass depth or any of that, but for a broken speaker that still played, well....props to the Manger!!!!!!
Who the h is importing these??? I remember that HP, back in issue 112, talked about the Audio Physics Medeas. They were in his Editor's Choice. He found them "dazzling." They used the Manger drivers, as he pointed out. I believe he said they sounded like ribbons without the colorations...
Oops, my bad. I HAD to look it up: issue 109, page 80...
"... Joachim Gerhardt's dazzling Medea, which features on each channel three of the jaw-dropping Manger drivers..." which has "...all the speed, quickness and detail of a great ribbon (which it is not), without some of a suspended-ribbon's flexing FM distortions..."
I think he liked-ed it.
When you hear a speaker that doesn't have any "fog" whatsoever surrounding the instruments, THAT is what live music is like. Unencumbered by any artificial humidity, aka "noise," the sound simply moves through the air. I'm used to good sound, but this was simply exquisite. It's a shame they were damaged, because I couldn't be absolutely sure of the dynamic range/contrast or bass depth or any of that, but for a broken speaker that still played, well....props to the Manger!!!!!!
Who the h is importing these??? I remember that HP, back in issue 112, talked about the Audio Physics Medeas. They were in his Editor's Choice. He found them "dazzling." They used the Manger drivers, as he pointed out. I believe he said they sounded like ribbons without the colorations...
Oops, my bad. I HAD to look it up: issue 109, page 80...
"... Joachim Gerhardt's dazzling Medea, which features on each channel three of the jaw-dropping Manger drivers..." which has "...all the speed, quickness and detail of a great ribbon (which it is not), without some of a suspended-ribbon's flexing FM distortions..."
I think he liked-ed it.