Enjoyed the Manley;Joseph Audio,Orphuem digital room. Excellent sonics and music and the Pearls sounded incredible. Also loved the Wilson Maxx with new VTL monoblock tube amps. Digital was the Meitner DAC 8, the professional version...the best I have heard. Although, the Orpheus or Orpheum from Switzerland was great digital too.
By far the best sound for the money and one of the best sounding rooms was the Gallo speakers room. The reference speaker they displayed for $1600 was absolutely amazing. It was driven by a Spectron digital amp, a Rogue tube preamp and an Arcam CD player. All the components were reasonably priced and the sound was amazing. I had to ask Anthony Gallo three times how much the speakers were because the sound stage, low end and absence of box sound were incredible. Great value for the money.
The Kharma room was excellent also. Lot's of great XRCD's, SACD's, Vinyl etc. I got burned on an album from Classic records with the Quiex 2 vinyl...suppose to be great, low noise vinyl. So I bought the Louis Armstrong plays King Oliver and the first play sounded like a used record played on a cheap turntable. The pops, skips and surface noise was terrible...not worth the $30 bucks I was soaked for.
Saw Dan D'Agostino, Arny Nudell, and many Stereophile writers and all were approachable and upbeat.
By far the best sound for the money and one of the best sounding rooms was the Gallo speakers room. The reference speaker they displayed for $1600 was absolutely amazing. It was driven by a Spectron digital amp, a Rogue tube preamp and an Arcam CD player. All the components were reasonably priced and the sound was amazing. I had to ask Anthony Gallo three times how much the speakers were because the sound stage, low end and absence of box sound were incredible. Great value for the money.
The Kharma room was excellent also. Lot's of great XRCD's, SACD's, Vinyl etc. I got burned on an album from Classic records with the Quiex 2 vinyl...suppose to be great, low noise vinyl. So I bought the Louis Armstrong plays King Oliver and the first play sounded like a used record played on a cheap turntable. The pops, skips and surface noise was terrible...not worth the $30 bucks I was soaked for.
Saw Dan D'Agostino, Arny Nudell, and many Stereophile writers and all were approachable and upbeat.