Hi Tim:
Thank you for the kind words, I'm trying to learn and as you stated Duke and Jim are a good source of unbiased data, they of course are in the business but they provide good advise even if sometimes goes against the actual product they are selling, this is something you don't find today commonly. If you learn how to filter BS here in Audiogon most of the time you can learn a few things too, there is a lot of people (like you which I follow your comments) that have knowledge and try to share such as well.
Yeah we have kind of the same settings, if our rooms were bigger (I guess yours is medium size room like mine) maybe we will go higher on the gain settings to fill it but the "bass perception" I get is just perfect. I say perfection because I tried and can't barely hear anything below 40 Hz.
I thought on using the GIK but I have other priorities to improve my system which I think will be more relevant than a subtle change on room treatment.
In addition to this Duke's speakers take advantage of late reflections to improve the mid/high perception so room treatment, flat response filters etc. will kind of flatten / remove this and I just don't want that.
This is OT of course but among all the music I like is classical and instrumental violins, piano, cello etc. and even opera.
When I travel I love to go (especially in Europe) to live venues which are very inexpensive, one of my favorite venues are church concerts, usually these are $10 - $20 per seat typically (even in Paris, Prague etc which some concerts are even free) and you can do even two events the same day, you perceive the music coming directly from the instruments and also these churches high tall vaulted ceilings and walls provide all sort of reflections. If one could go into the venue with a microphone and a FR software and computer I'm pretty sure the FR curve will be all over the place, not flat at all, does that prevent us from enjoying live music? not at all and that brings me to the topic of perfect flat response, is it really that critical? I don't want to spoil this thread with anything else but the close to perfect FR of the bass using the Swarm by wave overlapping it is just brilliant, too bad physics won't allow for the same with all the other frequencies.