Dear Dhl, If the phono circuit has a balanced topology, then the cartridge may be connected in balanced mode, and believe me there is CMR for the phono signal which does cancel hum along with other noise common to both halves of the signal. You can get a true balanced connection no matter how the cable is built, because the cartridge per se has no true ground, but it is indeed better if the cable provides identical conductors for the pos and negative halves of the signal, and a separate ground wire that generally grounds the tonearm body only. I don't know why you seem to think that is a problem or not available.
are some phono stages more resistant to hum?
After a tonearm upgrade, which mostly involved "improved" shielded cable, it now hums with tube phono stage (upgraded AR PH3-SE)but no hum with backup ss device (DB Systems). It appears the hum originates with the new wiring, but why would one phono stage be impervious to the hum? Do phono stages have different grounding schemes, making them more compatible with certain tt/tonearm/wiring combos in unpredicable ways? Are ss phono pres less susceptible to hum? Have you ever changed phono pre to cure a hum incompatibility? I see from forums that tt hum problems are common and sometimes difficult to solve. Shouldn't a shielded cable be more immune to hum, not less?
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- 23 posts total
- 23 posts total