Kenjit,
A few corrections for you:
1) the ATC 20 Classic is 27kg, not 18. ( The ATC SCM 19 is 18 kg).
2) ATC is known for its terrific midrange, not weak midrange
3) very few of ATC's models are sealed, but we do shoot for the ideal 12dB per octave LF roll off of a sealed box.
4) Obsession with fancy cabinets and marketing of cabinets is fine, but you are missing the far more important issue of the drivers themselves. This is where the sound comes from!
5) You are right, many studios do not choose ATC. But studios do not make records, they are simply a room with gear in it the engineers rent to work in. Most engineers bring their own speakers with them so they can work on something familiar.
6) All claims by all manufacturers of speakers are unsubstantiated in your room except weight and dimensions. It is folly to think the subjective sound quality of a speaker in an unknown acoustical space (the listener's room) can be reliably predicted via any spec or combination of specs.
Brad
ATC importer
A few corrections for you:
1) the ATC 20 Classic is 27kg, not 18. ( The ATC SCM 19 is 18 kg).
2) ATC is known for its terrific midrange, not weak midrange
3) very few of ATC's models are sealed, but we do shoot for the ideal 12dB per octave LF roll off of a sealed box.
4) Obsession with fancy cabinets and marketing of cabinets is fine, but you are missing the far more important issue of the drivers themselves. This is where the sound comes from!
5) You are right, many studios do not choose ATC. But studios do not make records, they are simply a room with gear in it the engineers rent to work in. Most engineers bring their own speakers with them so they can work on something familiar.
6) All claims by all manufacturers of speakers are unsubstantiated in your room except weight and dimensions. It is folly to think the subjective sound quality of a speaker in an unknown acoustical space (the listener's room) can be reliably predicted via any spec or combination of specs.
Brad
ATC importer