Atma-Sphere S-30 MK3



To Atma owners and gurus;

I've just recently jumped on the Atma wagon and I must say that so far this has been the single most eye & ear opening amplifier experience in my entire audio life of almost 28 years.

The S-30mk3 has been residing in my rig for close to 4 months now and is still breaking in, but should be almost done anytime soon.

I do however complain of an un-natural tonality in general that comes and goes during the break-in period and which was also very clear from the beginning. This is also accompanied by a certain 'hardness'..much like looking directly into sunlight as opposed to looking through a pair of poloroids..This issue is really bugging me and was wondering if it's part of the break-in process of Atmasphere amps in general, as I have never experienced it with other amps, tube or SS..

This aside, the amp seems to be taking forever to break-in..!!! But, it certainly looks to be my holy grail in amplification.

Along the way, I replaced the stock Chinese 6SN7's with EH's and now settled on Tung-Sol's. The latter being the best sounding of the lot. I do wanna stick to current production tubes as much as possible. Don't wanna go on the NOS merry-go-round..:-)

The S-30 is driving a pair of Tannoy Edinburgh's, from the Tannoy Prestige Series, to wonderful effect and the sound is heavenly! Preamp is a BAT VK-3iX Special Edition and is also a very good sonic match with the S-30..

Appreciate any input and of course any advice from the Atmasphere gurus and lovers here..!

TIA

AudioGrails
128x128audiograils

Showing 6 responses by pubul57

Mission, I think the upgrade path is prefereable to having three models to choose from and having to sell my unit to move up the line. It seems more cost effective to be able to buy what you can afford today, and move up the chain as money allows. The product is more than "worthy" in basic form, but allows even better performance down the road - I think this approach makes a lot of sense as a owner/user.
Transparency to the source is a two-edge sword. When it's good, it doesn't get better, but when it's not so good....
Duke's speculation makes perfect sense as a possible explanation. I use M-60 MKIIIs with my Merlins that have very flat impedance with no frequency anomalies that I can detect. Now, I have heard that V-Caps do take a while to break in, but I'm not sure that it would account for what you are hearing. I'm sure Bill has heard every Atma permutation so I assume he has not picked up on this V-Cap breakin as being a possible cause for your situtation. Let us know if thinks improve.
I don't what Ralph thinks, but Ken Stevens of CAT avoided silver for just that reason.
Tom, I think the dividing line between "factual" and subjective is might hard to draw - especially on the subject of how something sounds. I have no problem with a manufacturer saying whatever they want as long as their identity is clear; we can than apply as much salt as needed. For example, manufacturers tend to think their equipment will work in a broader array of system contexts than might be ideal for the "synergy" that Saki70 mentions. This seems to be the case with OTLs for example which with the right speakers are unbeatable IMHO, and with other speakers there would be better options.
NOS RCA GTA/Bs will add relative body and warmth should you find that breakin doesn't bring enough of it; though I'm not sure which of those driver tubes have the most impact on sound signature.