Just my .02 cents and opinion...
I was at the show 2 days and heard a lot of good systems. I thought Jeff Joseph's room sounded great, as always. I also liked Jonathan Tinn's room with the Evolution Acoustics speakers and the Wave Kinetics Turntable / Durand tonearm. There were many other rooms including the MBL room which I enjoyed stopping in.
I disagree that the Vandersteen room didn't sound well. I was there on Saturday, after they got the equipment issues resolved. When I walked in the sweet spot was empty so I grabbed it. Van Morrison's Tupelo Honey was playing and the sound stage was a mile wide and quite enjoyable. The room they were in was huge so I can't get worked up over some of the sonic characteristics like there not being enough bass. That is a room issue, not an equipment issue. There is no way the system nine lacks in bass. I have heard it in smaller, better tuned rooms.
I did stop by again later and the "DJ" was playing some unfamiliar music so I really couldn't get a sense for the sound then. I wish these exhibitors would realize that playing well-recorded standards is the way to go. What's the point of playing stuff nobody knows?
I was at the show 2 days and heard a lot of good systems. I thought Jeff Joseph's room sounded great, as always. I also liked Jonathan Tinn's room with the Evolution Acoustics speakers and the Wave Kinetics Turntable / Durand tonearm. There were many other rooms including the MBL room which I enjoyed stopping in.
I disagree that the Vandersteen room didn't sound well. I was there on Saturday, after they got the equipment issues resolved. When I walked in the sweet spot was empty so I grabbed it. Van Morrison's Tupelo Honey was playing and the sound stage was a mile wide and quite enjoyable. The room they were in was huge so I can't get worked up over some of the sonic characteristics like there not being enough bass. That is a room issue, not an equipment issue. There is no way the system nine lacks in bass. I have heard it in smaller, better tuned rooms.
I did stop by again later and the "DJ" was playing some unfamiliar music so I really couldn't get a sense for the sound then. I wish these exhibitors would realize that playing well-recorded standards is the way to go. What's the point of playing stuff nobody knows?