Avante Garde horn speakers.....

Don't be too discouraged, "corn fed" people would have to spend a lot of time in the lavatory, and probably aren't as adept at listening to music, as the rest of us.

i heard a pair of the *duo's*, a couple years ago at a small shop - deja vu audio, mclean, va - & they were fantastic! this was the version w/the older subs; still no integration problems. they were being driven by some home-made 1.5wpc set tube amps. not the best room, but still amazing sound. unbelievable detail, but still not fatiguing - i was there for over an hour at lunch - got back to work *way* late!

Carl, any chance of talking you into giving these thing a listen? I want to check them out; but, its going to take some time. New city and new job has me working like a galley slave.

I had the Duo's at my house for 3-4 months running all Audio Note gear and I thought they were pretty damn good. Woofer were sub par. Would have purchased them except really couldn't live with their aesthetics in my living room. Candy Apple Red horns were to much of a statement for me, but still attractive to others. Also, a close friend has the trios (that red color) and they are even better sounding. BTW, Trios look better if you have the room. He has an incrediable Audio Note Japan system the exceptions are Sony SACD,Aesthetix Io {yes I am guilty} and a very dumb 24" hartley built in to house that he loves. The system sound really good. Transparency, tonality and dynamics that shine on orchestrial, chamber, Opera and jazz. I have never heard Rock or Movie scores on this system so I can't speak about insane loudness levels and movie sound effects dynamics. The hartly is barely on and crossed over about 60 cycles but sounds a little one note to me. Going back to the Trios, I was impressed well each voice or instrument sounds so natural with that phoney detail that etchy speakers. These horns are not etchy, They are natural and with all those AN SEs amps, Aesthetics, Koetsus, etc this is a sweet system. Hard to fault these horns. Some of the critical posts are overly emphizing the weak points of these fine speakers, and Cornfedboy, the Avante Gardes have had USA distributors problems that caused lack of dealers. Hopefully, that is behind AG now. They sell very well in Europe and are in many of the High end shops.

7p62mm, I don't believe there is an Avantgarde dealer within 200 miles of me in any direction, but I'll check. I would say that if you are seriously considering horn speakers, these are very likely some of the best (the Trios were a couple of the heavy weight reviewers "reference", at least until they heard the Pipedreams speakers). I don't care for horn speakers as much as some do on here, but I do like speakers that are dynamic. IMHO, dynamic range and dynamic contrast (with low distortion) are the main aspects that still separate the best loudspeakers from true "realistic reproduction". Try this test sometime: Take a spoon and a wine glass, and have someone stand between the speakers and clang the spoon against the glass HARD (just shy of breaking the glass). Record this with a DAT and quality microphone, and then play the recording back. Then you'll see what I mean. Even if you can't record it, do something similar with some other percussive instrument, and just try to imagine your system reproducing it. Seems like everyone feels that the recording medium would be the primary limiting factor, but I feel that it is secondary to the limiting factor of the speaker system (and the room set up philosophy, to a lesser degree). Speakers must transduce electrical to mechanical energy at a high energy level, so the losses are terribly difficult to overcome.