For the Nocturnes Arrau is the best, only if you listen his interpretation a short time each time you try it, BUT if you listen the nocturnes one times a day for your life captive on an island i cannot vouch for anything except Moravec.... :)
With Arrau the melody exist in itself.... For Moravec the melody is there only after coming from EACH chord, indirectly so to speak....
Then you listen first each note with Moravec like if only this note was essential and the only one existence in eternity.... with Arrau you listen first the melody....
With Moravec we indeed listen through Chopin own fascination for Bach and we suddenly understand it and why it makes sense and sound....
:)
Any melody can be boring on repetition, but repeating a gong note for example is never boring, the body is too much affected; Moravec playing each note in his eternal necessary color is always new jet flying out in the brain/body.... The melody is a children born out of the love of one chord for another one....
The Nocturnes and the Goldberg are so great because of these absolute mastery of writing the right chords at the right times...Then the melody becomes or show itself no more arbitrary but an eternal evidence....
With Arrau the melody exist in itself.... For Moravec the melody is there only after coming from EACH chord, indirectly so to speak....
Then you listen first each note with Moravec like if only this note was essential and the only one existence in eternity.... with Arrau you listen first the melody....
With Moravec we indeed listen through Chopin own fascination for Bach and we suddenly understand it and why it makes sense and sound....
:)
Any melody can be boring on repetition, but repeating a gong note for example is never boring, the body is too much affected; Moravec playing each note in his eternal necessary color is always new jet flying out in the brain/body.... The melody is a children born out of the love of one chord for another one....
The Nocturnes and the Goldberg are so great because of these absolute mastery of writing the right chords at the right times...Then the melody becomes or show itself no more arbitrary but an eternal evidence....