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Balanced vs. Unbalanced Inputs

I am trying to upgrade to a differentially balanced phono stage to compliment my Pass XP-22 pre and Pass X250.8 amp so as to minimize long cable artifacts and benefit from CMR. I do understand the it is the circuitry and not the input connection that determines wether a signal is balanced or not. I am looking at both a Pass XP-27 and AR Phono 3SE as possible options. Both have RCA inputs plus a ground post only. No XLR inputs. 

As far as my understanding goes, a balanced cable must have 2 signal conductors, a hot (+) and a cold (-) PLUS a ground for EACH channel. So, I sent an email to Pass Labs as follows:  

 ".... I want to confirm that there are TWO signal conductors PLUS a ground for each channel. Specifically, on each of     the RCA inputs, do the center pins and the shields carry the hot (+) and cold (-) signals respectively while the grounding wire/grounding post becomes the tone arm/turntable chassis ground connection common to BOTH channels? "

This was the response:
     "No. RCA shield and ground lug are contiguous connections."

But on the pass website is the following:
     "In order to minimize ground loop issues Pass Labs never manufactures equipment with signal ground and chassis ground contiguous."

When I email Linn about their pseudo balanced  LP12 T cable they responded with:
     "All Linn arm cables are terminated with a 5 pin DIN connector with the center pin being arm ground, which on an LP12 is also used as the chassis ground.  This is separate from the left and right channel grounds and hots which are on the other 4 pins."

Again, there is no (+) signal to be superimposed with an inverted (-) signal separate from ground for CMR. I Do have a technical background but I am not well versed on circuit design so please forgive my ignorance. I did get some very helpful advice from a member here, however, the further I inquired with the manufacturers the more confusing it became. As of now I am wary about emailing AR for fear of even more confusion. If anyone has any advice on how to proceed I would really appreciate it. Thank you all so much.

Bruce
brskie
rmdmoore
170 posts
 
Technically a phono cartridge is "floating" which means it's neither balanced or single ended. It can be wired either way but the reason there are so few balanced turntables/phono stages is that there is diminishing return on splitting the signal to make it balanced, particularly when the signal from a cartridge is already so weak. 

This is all theoretical. Best thing to do is take a listen of you can and see if you hear a difference. Me experience is not but yours may be different. For other compnents like a DAC there is often marked benefit. Just not usually from a TT.


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cleeds
6,043 posts
 
rmdmoore
Technically a phono cartridge is "floating" which means it’s neither balanced or single ended. It can be wired either way ...
I am surprised that there remains so much confusion on this. A phono cartridge is inherently balanced. That it can be wired unbalanced doesn’t negate that. (Of course, if you connect it to a single-ended phono stage, then you're giving up the potential benefits of the cartridge's balanced construction.)
... the reason there are so few balanced turntables/phono stages is that there is diminishing return on splitting the signal to make it balanced, particularly when the signal from a cartridge is already so weak.
No, I think manufacturing cost explains why we don’t see more balanced phono stages. Keeping a phono cartridge balanced offers multiple advantages, not the least of which is CMR, which is of particular value given the low signal level of the phono cartridge output.

There is no such thing as a "balanced" or "unbalanced" turntable unless, arguably, you’re referring to a turntable with a built-in phono stage.
brskie OP
69 posts
 
@cleeds
 So this is the crux of my delima. Since the AR Phono 3SE is a fully differential phono stage, and, since it ONLY has RCA inputs and a ground post then:
      On each of the RCA inputs, do the center pins and the shields carry the hot (+) and cold (-) signals respectively while the grounding wire/grounding post becomes the tone arm/turntable chassis ground connection common to BOTH channels?

This is the only way I can logically assume that the input to the ARC phono stage occurs since there are only 2 connections on an RCA to begin with. Unlike an XLR that has 3 connections.
So then, does Linn's email response:
   
"All Linn arm cables are terminated with a 5 pin DIN connector with the center pin being arm ground, which on an LP12 is also used as the chassis ground.  This is separate from the left and right channel grounds and hots which are on the other 4 pins."

mean that the signal going from the DIN to the phono stage IS balanced? Or, do I have to assume that I would not be able to use a factory Linn tonearm cable and have to arrange for some kind of bespoke wiring in my arm so as to feed the ARC phono stage a balanced signal to begin with???
I can see why there is so much confusion around this topic of balanced/unbalanced signals with the unwillingness of audio companies to follow a strict set of standards.
Thank you for taking the time to respond. I really do appreciate it very much @cleeds 

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cleeds
6,043 posts
 
brskie
... Since the AR Phono 3SE is a fully differential phono stage, and, since it ONLY has RCA inputs and a ground post then:
      On each of the RCA inputs, do the center pins and the shields carry the hot (+) and cold (-) signals respectively ...
Yes.
... while the grounding wire/grounding post becomes the tone arm/turntable chassis ground connection common to BOTH channels?
No. The ground is independent and not common to either channel.
brskie OP
69 posts
 
@cleeds 
So I just have to figure out my tonearm wiring to get the balanced signal into the ARC RCAs.
Thank you again for so freely giving your help.

Bruce
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