First, I agree with Jmcgrogan2 re the (mis)use of a sub. I suspect many folks think they should 'hear' the sub all the time. That, however, will not stop me from trying to use a sub to correct for a moderate room related problem. My speakers are spec'd as down 3db at 28hz. They are in fact relatively flat to 32hz except for 6 and 8db dips at 40 and 50 hz and down 3db at 60 hz caused by room dimension problems not fixed by moving the speakers about.
RWD, I recently attended two Mahler performances (5 & 7) and in neither was there any 'chest thummping' bass. The latter was in a large hall with a top tier orchestra. I was in the low center balcony. Not impressed by the sonics at all, except the height allowed the upper-mid high frequencies to heard exceptionally clearly. (Not impressed by the performance either so better seats wouldn't have made me more happy).
The former was by a smaller local orchestra in a medium sized auditorium. I was in the orchestra section, center, row C. The sonic's were outstanding and the playing was pretty good for a less than full time orchestra. This would have been an audiophile favorite, there was even fine depth of image, instrument seperation, and the power of the orchestra was impressive. Loud, impactful, dynamic, BUT no earthshaking vibrations. In fact, as I think about it my pants have never flapped in any live performance.
My goal in using a sub is to get flat power response down into the 20's. I plan to run my speakers full range and add a sub crossed over at 50 hz with a 12db low pass filter and use a one band parametric equalizer to flatten out a signicicant rise at 32 hz which will happen when I raise the volume of the sub to match the mains and sub at 60hz. I love the planning phase much more than the implemention stage. In the former I'm always right, in the latter it seems rarely ever! :-)
I don't know this for a fact, but I suspect the 'feel' that folks are seeking has a lot more with speed/impact in the mid/upper bass than ultimate low bass. This is somewhat supported by an experience I have playing a disc of some solo piano with good bass. With most amps I tried (all tubes BTW - haven't tried SS in years) the bass was good but with one set of amps the deepest notes were 'crunching' for lack of a better term. I would guess these sounds were in the 45 to 60 hz range. IMHO what differentiated them was not db level but speed of the leading edge of the notes.
Now I'll go back to contemplating my navel. :-)
RWD, I recently attended two Mahler performances (5 & 7) and in neither was there any 'chest thummping' bass. The latter was in a large hall with a top tier orchestra. I was in the low center balcony. Not impressed by the sonics at all, except the height allowed the upper-mid high frequencies to heard exceptionally clearly. (Not impressed by the performance either so better seats wouldn't have made me more happy).
The former was by a smaller local orchestra in a medium sized auditorium. I was in the orchestra section, center, row C. The sonic's were outstanding and the playing was pretty good for a less than full time orchestra. This would have been an audiophile favorite, there was even fine depth of image, instrument seperation, and the power of the orchestra was impressive. Loud, impactful, dynamic, BUT no earthshaking vibrations. In fact, as I think about it my pants have never flapped in any live performance.
My goal in using a sub is to get flat power response down into the 20's. I plan to run my speakers full range and add a sub crossed over at 50 hz with a 12db low pass filter and use a one band parametric equalizer to flatten out a signicicant rise at 32 hz which will happen when I raise the volume of the sub to match the mains and sub at 60hz. I love the planning phase much more than the implemention stage. In the former I'm always right, in the latter it seems rarely ever! :-)
I don't know this for a fact, but I suspect the 'feel' that folks are seeking has a lot more with speed/impact in the mid/upper bass than ultimate low bass. This is somewhat supported by an experience I have playing a disc of some solo piano with good bass. With most amps I tried (all tubes BTW - haven't tried SS in years) the bass was good but with one set of amps the deepest notes were 'crunching' for lack of a better term. I would guess these sounds were in the 45 to 60 hz range. IMHO what differentiated them was not db level but speed of the leading edge of the notes.
Now I'll go back to contemplating my navel. :-)