Marakanetz is right I used a number of different amps on my old avalon's and the more clean power I threw at them the better they performed. Jeff Rowland amps and Accuphase are said to mate up very well with avalons as well, if rowland has an integrated with enough juice I would suggest looking into that. I tried a BAT VK-60 and while the midrange was to die for it got very unpleasant at high volumes and the bass was very thin and rolled off, no matter what I tried. Tube amps can work they just have to be BIG and powerful(CAT, VTL, Manley, etc..) I can't say for sure what the answer is, but if your having problems with just digital try a different interconnect, I found cardas golden cross worked well with avalons, it warmed things up a LOT.
Be careful what you wish for ...an upgrade that...
...wasn't
My old system consisted of a Linn LP12/Ekos/ArkivB/Lingo/Linto
Linn Ikemi
Harmonic Tech Magic Link/Magic Woofer
Sony SACD-1
Avalon Opus
Pass X1
Pass X250
Everything was fine - the Pass stuff was new- having recently upgraded from Rowland- until I listened to my friend's system - It was magical- all the detail and quiet of the Pass, with the musicality of Naim. He was using a VAC signature preamp and VAC 70/70 Renaissance.
I decided to finally take the plunge into tubes. I got rid of the Pass stuff, and replaced it with an Air Tight ATC-1 line stage and ATM2 KT88 based amp.
The result- LPs sounded much better- CD sounds much worse. First I sold the Ikemi- it sounded hard on top with the Air Tight stuff- but I cannot find a suitable replacement.
Now I am listening lesss and less to LPs. The system, while on the one hand more transparent and visceral- on the other hand has become harder in the 2-3k range with sibilance on vocals and definite loss of air- I'm tempted to go back to the Pass stuff- but lost a fortune selling the new Pass stuff to buy new Air Tight- I'm even tempted to chuck it all and buy a small all Naim series 5 set up with a small Pair of ProAcs or Spendors.
What happened?
Can anyone shed light on what I can do to get the "magic" back into the system? Separately they are great components- I have heard the Air Tight used my Avalons without any of these unpleasant artifacts ...
Please make suggestions......
My old system consisted of a Linn LP12/Ekos/ArkivB/Lingo/Linto
Linn Ikemi
Harmonic Tech Magic Link/Magic Woofer
Sony SACD-1
Avalon Opus
Pass X1
Pass X250
Everything was fine - the Pass stuff was new- having recently upgraded from Rowland- until I listened to my friend's system - It was magical- all the detail and quiet of the Pass, with the musicality of Naim. He was using a VAC signature preamp and VAC 70/70 Renaissance.
I decided to finally take the plunge into tubes. I got rid of the Pass stuff, and replaced it with an Air Tight ATC-1 line stage and ATM2 KT88 based amp.
The result- LPs sounded much better- CD sounds much worse. First I sold the Ikemi- it sounded hard on top with the Air Tight stuff- but I cannot find a suitable replacement.
Now I am listening lesss and less to LPs. The system, while on the one hand more transparent and visceral- on the other hand has become harder in the 2-3k range with sibilance on vocals and definite loss of air- I'm tempted to go back to the Pass stuff- but lost a fortune selling the new Pass stuff to buy new Air Tight- I'm even tempted to chuck it all and buy a small all Naim series 5 set up with a small Pair of ProAcs or Spendors.
What happened?
Can anyone shed light on what I can do to get the "magic" back into the system? Separately they are great components- I have heard the Air Tight used my Avalons without any of these unpleasant artifacts ...
Please make suggestions......
- ...
- 6 posts total
- 6 posts total