Benchmark AHB2 - To 'mono' or not to 'mono'


I own a single Benchmark AHB2 amp and have been considering another in order to run both in bridged mono mode, which will provide significantly more power to my speakers and presumably, greater dynamics. I've read in other threads where other owners (and perhaps others with opinions) had implied both positive and negative impressions concerning this approach. Assuming I'm not considering purchasing other amps at this time, does anyone have experience with both approaches and will you please share your impressions?
wwoodrum
I love this amp! Absolutely, definitely, without any doubt what so ever get another one!
Not sure what planet we are living on but when you mono strap this amp you drop the impedance of the output stage and increase the damping factor! Not only that but power is everything in an amp. The ability to handle dynamic peaks without clipping just makes a system sound so much more alive and this amp does the mono strap routine as well or better than any other amp I have tried it with. I do not think you could make a bigger, better improvement for $3k in any otherwise well set up system. And, these amps do a very creditable job of driving my speakers (with the addition of a 3/4 ohm series resistor in the primary) which means they will drive anything. The build quality is absolutely top notch. You will never have a reason to buy another amplifier. 
@tobes - I find that I tend to stop following discussions after the trolls find them and do what they do. I'd rather politely ignore them than provide them with the attention they so obviously lack and need. I don't know all of the names yet, but they do tend to self-identify fairly quickly and in a pretty pathetic way.
@tobes - Regarding your former post, it is true that I don't know how much I need the extra power. I have a 14'x20' listening room to which I've been gradually applying acoustic treatments to get rid of slap echo and eliminate standing waves (with some professional advice). I have found that treating the direct reflection points on the side walls and ceiling in the room has improved the system image drastically, but also allows me to play my system more loudly and to gain a better appreciation of the dynamics in a recording, and now those dynamics are present everywhere there is image, not just tending towards the center (if that makes any sense at all) - as was the case before I started treating this room. I was thinking that the extra power would improve almost everything about this, particularly in more dynamic recordings.
So far it sounds as if those who've actually used a pair of AHB2s in bridged-mono mode have no regrets....