Benchmark DAC 3 HGC or RME ADI-2 DAC


I will be buying a new dac, in order to replace my Lavry DA10. I am satisfied with the sound of the Lavry, but it lacks a remote control.
If I do, it will be one of the two mentioned as I am familiar with brands from studio applications. The RME seems like the obvious choice. It has some EQ ability which would be useful to me, reviews about the sound quality compared to everything else are pretty positive, and it's about half the price.

  So which would you choose and why? I'm wondering what I may be missing that might justify the price of the benchmark?
128x128wengr
No, the Benchmark's HGC is hybrid in the sense that its analog inputs are kept analog and the volume control is done in the analog domain, while for its digital inputs the volume control is done in the digital domain. So there is no AD conversion of the analog inputs.

Both the RME and the Benchmark (for its digital inputs) control the volume in the digital domain.

An advantage of the Benchmark would be that its analog inputs would allow you to use it as a preamp in the future if you add a phonostage or a DAC without volume control.
The DAC3 volume did not have enough granularity for me to be happy with it. It was rather coarse in the steps available. If I remember correctly I was not entirely happy at low volume. The new Benchmark preamp is supposed to be a big improvement on the volume.

https://benchmarkmedia.com/collections/preamplifiers


The DAC3 volume did not have enough granularity for me to be happy with it. It was rather coarse in the steps available.
This was with the digital inputs? I guess this is the penalty of using a pot. The RME doesn't have this problem as it uses a precise rotary encoder for VC which works in 0.5dB steps and the display also shows you the volume level.
Thank you for this seigen. You have effectively explained what I could not determine in two weeks of searching.

Here is what Lavry says about attenuation in their DACs. From the Lavry Engineering site:

" Like the highly acclaimed LavryBlack DA10, the DA11 offers extreme transparency and musicality in DA conversion with the ability to control speaker volume using digitally controlled ANALOG volume circuitry. This allows the DA11 to be connected directly to a power amp or powered monitors without a preamp for the ultimate in “straight-wire” listening. With unparalleled precision in channel matching throughout the volume range, this feature allows the listener to easily reset the volume to a known level for consistent enjoyment with minimal signal degradation. "

Does any other company produce a dac with the similar layout of a digitally controlled analog volume circuit?    And ---- does it matter, in the event that it ever did?

Digitally controlled analog volume control just means there's a microprocessor or FPGA that controls the discreet resistor network or ICs used to attenuate the volume in the analog domain.

Other DACs with analog volume controls would be the Teac NT-505 and the T+A DAC 8 DSD.