Best cable for Graham 2.2


Anybody know a very good cable for this tone arm. Is silver worth the money or should I get copper??? Mike
128x128blueranger
I agree with Raul on the value of record clamps, for exactly the reason he stated: resonance dampening. The sonic benefit is obvious even on flat records. I'd want to use one even if I had a vacuum hold-down platter.

I use the knuckle-rap test he described on nearly every record. Tapping around the clamp (in the dead wax of course) is a great way to make sure the clamp is screwed down just enough. Clamping pressure is alot like VTF, too little is as bad as too much. Under-tightening doesn't engage the resonance-control capabilities of the clamp. Over-tightening beyond the "dull rap" point does not improve sonics, and it can actually break a record (trust me!). The knuckle-rap test lets me find the happy medium.

This is why I prefer a threaded clamp to a weight. Every record needs a different amount of clamping. A threaded clamp offers control and adjustability that a weight cannot.
Doug, Speedy and Raul, you may be right, though I wonder that they don't use other than the vacuum on cutters. My Goldmund table has a very slightly concave platter, and except on perfectly flat records, if I apply too much clamping, a segment of the record will actually lift off the platter. I was considering a mat; do you use one?
Dear Nsgarch: In my case the vaccum hold down is the mat.
Like alternative I use a metal mat from SAEC: SS 300, great one with metal platters and maybe with other materials too.

As a fact there is no flat records: all them are concave. So we have to " fight " against this issue.

Regards and enjoy the music.
Raul.
Nsgarch,

I don't use a mat and I doubt many Teres owners do, especially those with hardwood platters. Cocobolo, jatoba and lead as implemented by CB are superb at resonance control. A mat would probably be counterproductive.

Dish-warped LPs are definitely a challenge to clamp when playing concave side up. The edges like to rise when pressure is applied. I've had some success by holding the edges down with two hands while tightening the clamp with my third hand. :-) Sometimes, with just the right amount of pressure, I can convince the LP to couple tightly to the platter even when the warp doesn't "want" it to.

When I had a periphery ring it helped a lot, but even then some badly warped records would not sit perfectly flat. I imagine only vacuum could achieve that.

The reflex clamp normally works very well. Many records literally must be pulled loose from the platter after the clamp is removed. Careful clamping has created a vacuum-like seal.

Cheers,
Doug