Best Cables for around $500


I have upgraded to a W4S STI500 and DAC2 along with my Magnepan 1.7s and I am looking for the best cable to connect my W4S DAC2 to my W4S STI500 at or around $500. Would like to hear all thoughts, especially those with W4S equipment. I am looking for XLR Balanced only.

Some cables that I am currently considering:
1. Morrow SP4 at $519 or Morrow MA5 at $790 (I have some existing Morrow cables I would use for trade in)
2. Antipodes Komako $550
3. Wyred 4 Sound C1 Ultra Analog XLR for $119
4. MAC Palladium XLR $539
5. Acoustic Zen Silver Reference XLR $599.00 (sale from $998)
6. Audioquest Columbia XLR $495
7. Cardas Neutral Reference XLR $628

My goal is best reproduction of classical and acoustic music.
ronwills
I too have never had harsh highs with the MA1.1's. My system is a little tipped up at whatever frequency violins play but this doesn't mean it is the Morrow's. It could be the Magnepan 1.7s, W4S STI500 or DAC2.

Last night changed the Digital cable from Better Cables Silver Serpent to a Xindak digital cable. Minor difference but liked the Xindak better. Will listen more today.

Working behind the scenes on pricing of the cables I identified previiously (AudioQuest, Morrow and MIT). Also tracking down the possibility of trying the Crimson Music Link XLRs to demo. I know that I will need 30-60 days to really get an idea of how they sound and don't know their "demo" terms.

MIT Cables. I also looking at pricing of the MIT Shotgun 3.3 cables along with the CVT's but to be honest, their two overlapping cable systems is very confusing and their website is not much help. Never seen a cable company where you have the option to click on cables available in their retail stores and cables available online. Very confusing.

However, all the reviews I have read about the MIT Cables have been very good. Didn't find any reviews on the AudioQuest Columbia or Colorado.
Ronwills, Crimson cables sounds great right out of the box. Within 10 hours you will be hearing most of its potential. Some of my friends who use it tell me that there are subtler improvements to soundstage width and focus till 200 hours. But let me tell you that if you do not like the cable in the first 10 hours you will not like it after wards as well. There is a rightness to this cable which shows up within the first hour itself.

The trial policy is simple, it is 30 days money back guarantee.
i will chime in to say that the mit cables i have are easily the most "real life sounding" analog interconnects that i have, and i'm a cable klepto. i didn't want to like them, either, as they're pricey and, as you mentioned about their website, you never know what the @#(*& is going on with them. but it is what it is, and they sound really good and excel on detail and subtleties, which sounds like what you're looking for.

i auditioned most lines up to the magnum and ended up with the shotgun ma, but they were all good.

the only other cable i'd add to your list would be the analysis plus solo crystal, they're great too, though perhaps not quite as naturally balanced as mits.

one cable rec i always feel happy making, too, is the van den hul first for digital applications, it's amazing. i have the metal screen version (as i'd bought it for analog originally), but i have no idea if the version of it matters when using it for digital (some people get a hum with the regular first when using it in analog applications, but my first metal screens are actually more quiet than other cables so they seem to have fixed that). anyway, they're the most lush, least "digital" digital cable i've tried (again, just beating out a mit).

best of luck.
JPS Labs Superconductor Q - I'm using them between my DAC+Pre and power amp. I think they are pretty transparent because they let me hear the difference between various sources.
I love my DNM unbalanced IC's. They can be made in balanced also. Very revealing yet super smooth. Great on acoustic music.
Good-luck,
Rodge