I think you understand it as I meant it. I can create an extreme touchable image these days. Every single part of a recording is very easy to locate. But not only in one line, but also in depth. With MIT I never heard a very direct voice or instrument. Wenn I play a big orchestra, the stage is wide and deep but within this big stage instruments are very sharp focussed. When I go back to MIT, you do not know where it is exactly. The exitement you feel when the image becomes touchabele is stunning. It it the big smile on your face when you hear it. When I hear it with MIT we Always look at eachother and we all say; nooooo ( we use our heads) it is not good. But also in speed, control resolution the MIT cables loose too much in quality. That is why I love comparing with cables so much. It is a very easy way to let people hear how to get a much higher level in sound quality.
Best Class A amp with SLAM
I'm looking for a couple of great class A bias amps (monoblocks) with the best "slam" as well as a sweet sound.
I recently sold 2 Krell KMA 160 mono blocks and I really miss them. What's out there that has the same attributes? I want 100-160 WATTS RMS that I can weld with if I want.
I recently sold 2 Krell KMA 160 mono blocks and I really miss them. What's out there that has the same attributes? I want 100-160 WATTS RMS that I can weld with if I want.
- ...
- 62 posts total
- 62 posts total