Bi-amping, "What amps would you use"


"Biamping and eliminating the passive crossover by using electronic x-over is best way to get the most out of your speakers", a close stereophile friend told me. I've decided to take the bi-amp route. Now the only thing is to decide on the amps best for my set-up. I have the McIntosh XR19 speakers (with two 12" woofers for the lows, one 8 mid and 12 x 1" for the highs) per box. Being on a high-end side of audio don't won't say....a Pass Lass is better than Krell, a Krell is better than Levinson, Rowland is better than Mc...etc. because each amp is design to satisfy a certain perfence. What would you reccommend for the highs and for the lows? What amps you know, that is known for bass their reproduction and, what is known for there super nature smooth highs. Please let me koow what you think.

Thanks, Danny
trandanny820
Greetings Dan, I am bi-amping a pair of KEF series 3-2 speakers. The back of the speakers have two seperate sets of connection posts for this purpose. For the top half, which is dedicated to mid's and high frequency, I utilize a Conrad Johnson Premier 11 tube amp. Tubes just can not be beat by soild state or FET in mid to high range. Now, for the low/bottom, or bass frequency I utilize a Conrad Johnson MF2250 FET (field effect transistor) amp. FET's are hard to beat for bass frequencies. I am VERY HAPPY with this set up. What ever you do, I recommend you stick with one manufacture of amplifier, and discuss your intentions with them, if possible. There are "issues" to be concerned about when bi-amping.

Regards, Lou
Sean, wow -- so cumulatively speaking, that makes it penta-amping at full home level...:) I barely manage the bi (amping, I mean) -- plus both are stereo units at that!
Actually Greg, i would be "dodeca-amping" as i have twelve active channels being driven. To make things understandable, i have six stereo amps set up as monoblocks with all 12 of their channels being used. In other words, i have both channels of Amp A driving the left tweeters, both channels of Amp B driving the left mids and both channels of Amp C driving the left woofers. There is an identical set of amps ( which would be Amps D, E & F ) set up the same way for the right tweeters, mids and woofers. Even though i am using both channels of each amp, they are still only seeing a mono signal ( left or right, but not both ).

I've done it this way as i have multiple low impedance drivers in each frequency range. By splitting the drivers between multiple channels, i've reduced the low impedance load on each amp and increased the available power for each frequency range. In effect, none of the amps are pushed as much, they operate in a range that is Class A for the mass majority of time, damping is improved, dynamic headroom is increased, etc... to top all of that off, using the "monoblock" approach offers the ultimate in channel separation.

As Bear mentioned, i chose amps that i thought excelled in specific frequency ranges. Getting everything dialed in and gain matched was a "bear" to say the least : )

The drawback to all of this is that i have more cabling in this system than what most audio shops have in their demo rooms i.e. twelve interconnects from the active crossover to the inputs of each amp channel and twelve sets of speaker cables. Needless to say, it is next to impossible to make this installation look "clutter free" :( The fact that i'd like to move into a bigger house sometime in the near future does not make me happy either :( Sean
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Sean, you just blew me out of the house! Indeed, this looks (and probably sounds) like an ultimate system i.e. taking available products & implementing the most sonically efficient set-up... bending the limitations of the products to serve the system sonics.
Another A'goner has a similar concept, it seems, with a different approach: being discontent with the reproductive range of speakers (i.e. none satisfied his ear as full-range players), he relegates part of the output frequency to the "appropriate" speaker -- hence a speaker or "sound-wall".

I would assume that your primary limitations now can only come from speaker drivers & cables. (I discount digital source technology because we can't control that other than tweak the cdp's a bit -- we can't change the s/ware).

Impressive! Proof that it pays to be a music-phile & an EE at the same time!