Perhaps we audiophiles are not seeing the wood for the trees.
Perhaps most of the so-called huge, night and day differences in performance we often read about are in fact barely perceptible?
I recall being struck by the sheer honesty when I heard that McIntosh themselves claimed no sonic advantages of any of their lovely amplifiers.
Anyway, as I’ve just ordered a copy of West Side Story CD (1957 original Broadway cast) it will be interesting to discover just how much better this Sony Mastersound SBM version is than the stock issue. I do think it’s telling that one of popular music’s most dynamic recordings was done over 60 years ago!
As is the fact that another highly regarded audiophile album, (the Cowboy Junkies much feted Trinity Session) was recorded on a Sony Betamax SL-2000 video cassette deck, albeit with a super duper microphone.
Perhaps most of the so-called huge, night and day differences in performance we often read about are in fact barely perceptible?
I recall being struck by the sheer honesty when I heard that McIntosh themselves claimed no sonic advantages of any of their lovely amplifiers.
Anyway, as I’ve just ordered a copy of West Side Story CD (1957 original Broadway cast) it will be interesting to discover just how much better this Sony Mastersound SBM version is than the stock issue. I do think it’s telling that one of popular music’s most dynamic recordings was done over 60 years ago!
As is the fact that another highly regarded audiophile album, (the Cowboy Junkies much feted Trinity Session) was recorded on a Sony Betamax SL-2000 video cassette deck, albeit with a super duper microphone.