Building high-end 'tables cheap at Home Despot II

John, Apology not necessary. I just wondered whether anyone HAD applied a scientific approach to this otherwise completely subjective and empirical endeavor. There are many reports from various sources that suggest that Panzerholz is a great material for plinths, etc. For example, Albert Porter has made some Panzerholz plinths for the Technics SP10 that are said to sound excellent.

As Dopogue indicated, I got a similar response from Johnnantais as well that panzerholz may be too dense per se for plinths. My friend Moritz says that Boomerang was one of the best TTs he's heard (and he's sold some Clearaudio panzerholz' as well). Both of these are sandwiched aluminum panzerholz models. I suspect that both were also 'tuned' with instruments, be the one with its curvature and 'parabolic' width whereas the Clearaudio looks like the panzerholz is milled. One needs sophisticated machines to mill this material. And the Boomerang was perfected in Berlin where the German equivalent of "UL" is and Moritz happens to know a hi-fi crazy who works there...

I saved the Albert Porter plinth website for future reference. I noticed that the panzerholz was cut into strips and re-glued. This changes the structural composition. I've used blocks of Panzerholz for cone bases (like ebony, carbon, etc.) and always turn them this way too.

Anyway, my project is to build a new plinth for a Sony PS 2500 and I am saving my panzerholz board as platform for my SS amp. I'll be following Albert Porter's guidelines and likely use sandwiched 2 x 48mm birch ply with 1 x 38mm solid 100mm laminated birch [kitchen counter top] board with 1 x aluminum and maybe another layer of this or who knows. I certainly will incorporate the bronze bearing mechanical 'ground' into steel. This is a far better solution than my attempt 25 years ago to ground a Kenwood KD600 (ball bearing coupled with a slab of Plexiglas).

Anybody know anybody who can give me some ideas or inputs? Should I document my work / DIY?

BTW, I do have a Clearaudio "Accurate"-like TT PS (the German CS PSN), as well as a 'vintage' TDK power filter that came, was rescued from a defunct refrigerated warehouse.

Sorry for the typo: please read: "... new plinth for a Sony PS 2250 ..."

I have my doubts or questions as regards inserting a layer of alu or other metal midway in a wood plinth. The danger is that one may be creating an internal reflective surface that will bounce energy back up toward the turntable, instead of permitting it to dissipate in the nether regions of the plinth. (At the interface of two dissimilar materials, energy is transmitted, absorbed, or reflected, depending upon how the two materials interact with each other. This effect is governed by a constant for the two materials that is called the "coefficient of transmission" or something like that.) It all depends on what happens at the panzerholz/alu interface. And that I do not know.

Thanks Lewm, as the French say, "d'accord," how right you are.

I have not even taken receipt of my 'new' used Sony PS 2250 and I have blue prints already finished?!

Thanks to all your feedback I shall think things through, which I admit I have not done yet, prior to kicking the chain saw to life. I tried to turn a Kenwood KD 600 into a Linn Sondeck, er, LP12 years ago and, objectively, now probably should and just will sit back and listen to the vintage piece and let it 'speak' to me. No reason to re-invent the wheel (thanks, e.g., to Jean Nantais and Albert Porter)...

Still, anyone who has interest in directing me towards achieving the maximum fidelity possible out of this imo gorgeous piece of equipment, I would certainly appreciate it. My slab of panzerholz is going under my SS amp... and my sand/lead shot filled box is going under my TT atop my Target wall mount (at least are my plans tonight :)