Panzerholz. http://www.delignit.de/canada/delignit/products/wood/delignitpanzerha.html (both thicknesses are imo 'audio-applicable')
My statements are absolute hyperbole. I do trust my ears but other than personal preference, I certainly have no scientific data to back up my statements and should have stated such.
I have not seen panzerholz used by itself as a plinth. Both Clearaudio and that Boomerang have it layered between aluminum. Actually googling just now I see that it was used e.g. by audiogoners for both SP10s & 301s http://forum.audiogon.com/cgi-bin/fr.pl?vaslt&1227334719&openflup&16&4 and likely before then. I should do more homework before hitting the typewriter keys... apology accepted?
My reference to Schley's usage goes back to his wife coming [10 miles] from Blomberg (where it was discovered and perfected) and they've been together 30 years (?), and he professionally into audio close to 40. Be that as it may...
Objectively, its density is amazing. It has so much resin / epoxy injected under extreme pressure and heat into the beech plywood that it "makes sense" to me to be an excellent material as in e.g.: non-ringing, relatively uniform in structure, and quite heavy.
Maybe there is an interested reader who wants to contact Blomberg and could explain why I find it such an excellent material for audio. Again, lengths exceeding 120cm have 'sounded' all of a sudden poorer than shorter - as were that the maximum tensile strength before neglecting its positive acoustical traits. I am a trial-and-error enthusiast. You may have noted that it is also used as pin planks for pianos.
John
My statements are absolute hyperbole. I do trust my ears but other than personal preference, I certainly have no scientific data to back up my statements and should have stated such.
I have not seen panzerholz used by itself as a plinth. Both Clearaudio and that Boomerang have it layered between aluminum. Actually googling just now I see that it was used e.g. by audiogoners for both SP10s & 301s http://forum.audiogon.com/cgi-bin/fr.pl?vaslt&1227334719&openflup&16&4 and likely before then. I should do more homework before hitting the typewriter keys... apology accepted?
My reference to Schley's usage goes back to his wife coming [10 miles] from Blomberg (where it was discovered and perfected) and they've been together 30 years (?), and he professionally into audio close to 40. Be that as it may...
Objectively, its density is amazing. It has so much resin / epoxy injected under extreme pressure and heat into the beech plywood that it "makes sense" to me to be an excellent material as in e.g.: non-ringing, relatively uniform in structure, and quite heavy.
Maybe there is an interested reader who wants to contact Blomberg and could explain why I find it such an excellent material for audio. Again, lengths exceeding 120cm have 'sounded' all of a sudden poorer than shorter - as were that the maximum tensile strength before neglecting its positive acoustical traits. I am a trial-and-error enthusiast. You may have noted that it is also used as pin planks for pianos.
John