Sorry about the delay. my computer ate my monologue. It was a lot more fun and spontaneous than this will be.
Asa, I knew it was a bad idea when I opened a private dialogue with you. I Had been warned that you might use underhanded antics of injecting excerpts from private mail exchange where it suited you .
Such a breech of conduct puts a pallor on my writing. You know you can be abrasive. You have even, on occasion, excused yourself in subsequent posts, invoking excuses like drunkenness and colds.
re: my last post. You continue to inject your disingenuous spin on my sober account of my audio system comparison. Nrchys questions that I quoted speak for themselves, Nrchys late seemingly coerced clarification not with standing. His questions have legs of their own and it was to those questions I addressed. It should be obvious there is no need for the name Dominus to be interjected into my example. My point was, and still is, there are many thousands of budding audio enthusiasts who have been slid down hyped wire. Yes, I am proud to have influenced my neighbor. He was throwing money down a rat hole improving his wires. Now he is attending the basics of good home audio, like replacing his Spendors (how's yours, Asa....If you need advice...).
My neighbors quote, once again:
The mid and high frequencies from your system are fantastic!, that rig
really brings out the expressive qualities of the musician. Hope to hear
more stuff there soon.
re: My lowfy system: I used an abbreviated equipment list because it was simply not germane to my conclusion. Yes I do have a pre amp, the Pass Labs Aleph P. My main players are all first rate, thankyou. Three of the four were graded SP A, though thats not why I chose them. The Jolida 100 with NOS tubes is little known, but who cares? At $900 It is the best buy out there for great sound. The Aleph P is wonderfully engineered by Nelson Pass whos wizardry is obvious on his current X and XA amps. I have the Pass X-150. I use balanced play because that is when the super symmetry circuit kicks in. All audible white noise is canceled without the use of feedback. Sheer genius. Even the faintest anomalies present with various tubes in the front end are faithfully passed on to the listener without a hint of veiling ss nasties. Next there is the room. One needs a great room when using large dipoles. Mine is a large rectangular stiff plaster and panel room. Its ten foot ceilings are cross beamed. Now you need a great speaker that can articulate those faintest of signals.That is what the Apogee Duetta Signature is for.The big Apogees first impress you with a wall of sound, then lets your hair down wiith its holographic staging and imaging. All the uncanny tactilenss of musicians in their venue environments is captured. Asa, you could do a lot better with your speaker choices. I dont see how you are enjoying underlying nuances if your speaker is not as fast or uncolored as a ribbon. Then again, your insistance on utilizing microphonioc impared tube gear for the sake of air precludes you from any source nuances anyway.
Anyway, have fun zoning out on the color pink. It occurs to me you are not mollified by your noise floor focus system. You wouldnt be so irritable. Oh well, this is not a forum made for personal jousting. Ive made my piece perfectly clear to the willing listener, and will not be returning to this particular thread. Til another discussion....
Wow Asa, as I was about to click the submit button I read your last post. Right on good man! I take back all the bad stuff I said....After I post.
Asa, I knew it was a bad idea when I opened a private dialogue with you. I Had been warned that you might use underhanded antics of injecting excerpts from private mail exchange where it suited you .
Such a breech of conduct puts a pallor on my writing. You know you can be abrasive. You have even, on occasion, excused yourself in subsequent posts, invoking excuses like drunkenness and colds.
re: my last post. You continue to inject your disingenuous spin on my sober account of my audio system comparison. Nrchys questions that I quoted speak for themselves, Nrchys late seemingly coerced clarification not with standing. His questions have legs of their own and it was to those questions I addressed. It should be obvious there is no need for the name Dominus to be interjected into my example. My point was, and still is, there are many thousands of budding audio enthusiasts who have been slid down hyped wire. Yes, I am proud to have influenced my neighbor. He was throwing money down a rat hole improving his wires. Now he is attending the basics of good home audio, like replacing his Spendors (how's yours, Asa....If you need advice...).
My neighbors quote, once again:
The mid and high frequencies from your system are fantastic!, that rig
really brings out the expressive qualities of the musician. Hope to hear
more stuff there soon.
re: My lowfy system: I used an abbreviated equipment list because it was simply not germane to my conclusion. Yes I do have a pre amp, the Pass Labs Aleph P. My main players are all first rate, thankyou. Three of the four were graded SP A, though thats not why I chose them. The Jolida 100 with NOS tubes is little known, but who cares? At $900 It is the best buy out there for great sound. The Aleph P is wonderfully engineered by Nelson Pass whos wizardry is obvious on his current X and XA amps. I have the Pass X-150. I use balanced play because that is when the super symmetry circuit kicks in. All audible white noise is canceled without the use of feedback. Sheer genius. Even the faintest anomalies present with various tubes in the front end are faithfully passed on to the listener without a hint of veiling ss nasties. Next there is the room. One needs a great room when using large dipoles. Mine is a large rectangular stiff plaster and panel room. Its ten foot ceilings are cross beamed. Now you need a great speaker that can articulate those faintest of signals.That is what the Apogee Duetta Signature is for.The big Apogees first impress you with a wall of sound, then lets your hair down wiith its holographic staging and imaging. All the uncanny tactilenss of musicians in their venue environments is captured. Asa, you could do a lot better with your speaker choices. I dont see how you are enjoying underlying nuances if your speaker is not as fast or uncolored as a ribbon. Then again, your insistance on utilizing microphonioc impared tube gear for the sake of air precludes you from any source nuances anyway.
Anyway, have fun zoning out on the color pink. It occurs to me you are not mollified by your noise floor focus system. You wouldnt be so irritable. Oh well, this is not a forum made for personal jousting. Ive made my piece perfectly clear to the willing listener, and will not be returning to this particular thread. Til another discussion....
Wow Asa, as I was about to click the submit button I read your last post. Right on good man! I take back all the bad stuff I said....After I post.