Cartridges: Complete Scam?

OP, probably best that you use Streaming, iPhone dock, or cheaper disc front end to playback music.  Why, because a TT setup sounds to expensive for you, at this time, and perhaps even to complicated.  Good TT setup is not simple to do and, if wrong, easy for a TT setup to sound ordinary and even bad.  It's always a choice and there is quite a lot of choice available.

Disc is simple, can even sound very, very good, and is only one component.  Many disc players have a volume control so all you need is a quality amplifier, speakers, cables, and you are set.  Too easy and no complaints, maybe and hopefully...

I think the OP is asking a valid question.

Different cartridges have different sonic profiles (as do all audio components). Depending on your program material, room acoustics, and listening habits, different systems will yield different sounds. The trick, and in my experience, the fun of the hobby is designing systems that delight your senses and allow you to have more meaningful listening experiences.

You may enjoy having several systems. If I’m just potting around the house, I listen to a Tivoli Model 1. If the family is making noise, I slip on some headphones (currently driven by Schiit electronics). Sometimes I enjoy my Harbeth P3r speakers driven by a nice set of Odyssey components. I still enjoy my old Altec model 19 horns driven by the Dynaco S70 I built from a kit when I was a kid. Horses for courses, as they say.

If you are serious about learning how to enjoy this hobby, start with a modest (affordable to you but not too expensive, yet) system, try different things out, and go from there. The Mofi turntable and Studio Tracker is a great start. There are dozens of relatively inexpensive ($100 - $500) cartridges you can try. You’ll probably end up liking certain cartridges better for certain types of music or listening situations. You may end up with something you like better than the others for most situations, and that will inform you as you experiment with different systems. As you gain experience and develop your listening skills, you can be more confident in your purchasing decisions, and, hopefully have more fun and satisfaction listening to your music.

I like my MoFi MasterTracker. It sounds great on my brand new Technics S1200 GR. I liked it better than the UltraTracker on my somewhat resolving system (Harbeths, Odyssey). I have an old Shure V-15 III on a Thorens fitted with a Grace tonearm that is perfect with the Dynaco and the Altecs. Sometimes I will fit an ancient Grado F3+ on the Technics and guess what... it sounds wonderful, especially with my old ’60s and ’70s rock records. I had an Ortophon M5e on an entry level Rega that tracked like a bloodhound and sounded great on more beat up records (that didn’t sound good using the MasterTracker). Years ago I had a Denon 103 on an old Elac/Mircord that was miraculous (and dirt cheap).

Yes, you can spend ridiculous amounts of money on cartridges. I would caution, however, that system synergy becomes more important as you move up the price ladder. Putting the Mastertracker on the Rega RP1 would be a waste of money, just as senseless as putting an AirTight on your MoFi table. I’m sure it would sound great, but you will not be extracting its potential on that table. As a famous rock band once claimed, it’s a question of balance.

I don't understand waht you want to ask?

There is wristwatches with quartz movements for 100$ that show time much more exact than any Patek Philippe for 100k$. My friend have painted almost the same picture as Picasso, but no one want to buy it for 100$, Picassos painting was sold for 10 millions $ and they are almost the same quality.

And so we can continue with examples in all spheres of our lives.

Of corse 2,5k$ cartridges are better than 200$, if you know why you need it. The same is with loudspeakers, amplifiers, turntables etc. 

stop replying and it will go away.

Holly #x$& Madavid0,

I can't believe some of the replies you're getting for a pertinent question. Some of these Files have got theirs heads right up there. Stevecham, " I choose to save my input for a more enlightened and deserving poster".

I ask you Madavid0 .... how does this guy breath?

I've used various cartridges, on various tables, using various arms & cables since the mid-70's.

I also have a life; house, cars, skis, taxes, electricity, water, add a few more & what's left is the audio fund.

I've owned various Audio Technica's, a Nagaoka, a Grace, a Grado Sonata, spun a Benz Glider, and listened to many a Low-MC's in the $3500 dollar range.
Out of my own personal stuff my fave was the Grace. It cost me $300 dollars in 1980 .... about $945 in today's money - - - + arm board + set-up + tax .... say $1200 bucks out the door.

Right now I'm setting money aside for a Dynavector-DV20X2-H, which will put me out about $1200 bucks out the door. So dollar wise things are about the same.

What about the Grado? Well it's like several guys have posted, " it has to be set up correctly & there's got to be a synergy with your gear ".

I like the Grado, it was priced right, (new arm-board, set-up & taxes) $800 CDN out the door. It's warm, lush, quick, lovely sound stage, neutral, but it's the wrong set-up.

With my Pre-amp the 0.5 output voltage is too weak, I should have chosen the 5.0 Sonata, which is what the Grace was.

Another stain on me was not doing enough research concerning a Rega RB-300 arm, matched to a Grado Sonata MI cartridge. Add an Oracle TT & we have the infamous Grado hum. (BTW) Grado refused to assist.

 To answer your question, are high-end cartridge purchases a scam? Well that depends. You're spinning records here, you're not making Ben Hurr, so what is the sound of music worth to you?

For me, Hi-Fi is one of my great joys in life, my table cost me $1800 CDN in 1980, the arm $350 & the cartridge another $300. Since then I've bought one tone-arm (Discovery phono cable Incl) and the Grado $800, and now another grand for the DV Dynavector. Not including the Pre-amps I've purchased, that's well over $4 grand to spin records for 37 years. Some say that's nuts, some say that's small potatoes.

I think you should be able to get a good starter kit (used) to spin your records, with a new cartridge for $2500.

Will esoteric low-MC cartridges costing $3500 & up sound leaps & bounds better than a properly set-up $1000 dollar unit? Well .... if you have an outstanding recording to start with, a room with proper proportions, a room with properly placed acoustic treatments, a well matched Pre-amp and aptly matched phono cable, I'm sure a difference will be auditable.

Scam?
If you work within the limitations of your resources .... I don't think so.
Enjoy your obsessions.