CLASS D MONO AMPS buy ATMASPHERE MUSIC SYSTEMS


CLASS D AMPLIFIER TECHNOLOGY HAS FINALLY ARRIVED TO OUTPERFORM ALL OTHER TOPOLOGIES 

The Amplifier is the New Class D Mono Amps using GaN Fets in a unique Patented
Circlotronic output stage…Design by Ralph Karsten of ATMASPHERE MUSIC SYSTEMS 

Rated at 100 watts 8 ohms and 200 watts 4 ohms with low distortion across the full audio bandwidth with excellent noise characteristics 

I have been using ATMASPHERE MUSIC SYSTEMS MA-1 3.0 with all factory upgrades along with NOS 6NS7 Input Tubes for many years 

The New ATMASPHERE MUSIC SYSTEMS CLASS D has outperformed my MA-1 3.0 in all areas…the resolution and transparency are simply an Amazing Accomplishment

Also I sold my MP-3 mk 3.0 and purchased the New MP-3 mk3.3

In my Audio opinion I believe the ATMASPHERE MUSIC SYSTEMS CLASS D MONO AMPS used with the MP-3 mk3.3 will offer one of the most transparent sounding electronics combinations to date…only using the MP-1 mk3.3 will offer more performance 

I have used other High End Amplifiers in my system and the ATMASPHERE MUSIC SYSTEMS CLASS D MONO AMPS outperformed all of them as well

Music Lover…Audiophile…Retired Audio/Video Engineer over 45 years 

Thanks for Reading 

TubeGuy 45

tubeguy45

From AS.

Not surprisingly, with this much power on tap in a standard-sized chassis, DragoN is a hybrid tube/Class D design. However, the rogues at Rogue emphasize that it’s not “simply a tube circuit placed in front of a Class D output section.” They describe their proprietary “tubeD” circuit topology as one that integrates the tube section (a pair of 12AU7 tubes) into the amplifier’s output stage. Additionally, three massive linear power supplies built around large, high-performance toroidal transformers power the amplifier circuitry, and top-shelf parts mounted on a heavy (two-ounce) copper circuit board are used exclusively throughout.

At only 500Khz, what is the advantage of using GaN?

@kuribo 

In a nutshell, reduced distortion and less heat than MOSFETs, not like that's much of a thing. The faster speed of GaNFETs requires less deadtime, which has to be increased at higher switching frequencies (when we first started doing this, I thought the deadtime would be constant regardless of the switching frequency and learned otherwise; either way deadtime becomes a greater distortion influence as you increase the switching frequency).

 

Would the dead time be more like, or analogous to, crossover distortion, slew rate distortion, or neither?

Here is the opinion of the Purifi team as discussed in an interview:

Bruno: Well, with the sort of audio performance we’re getting I’d say that we’re asymptotically approaching “perfect”. One could argue that we passed the point of diminishing returns a few years ago already. I’m not saying that a next step won’t have any audible benefits, but in the grander scheme of things, the margin is shrinking.

 

Lars: That’s if you stick to audio performance alone. Otherwise we wouldn’t have bothered going to class D to begin with. You don’t do that for audio quality. You do that to get better efficiency, make the amp smaller and yadda. And then you get a new set of problems to fix, such as what it sounds like. And then there’s reliability, manufacturability and so on. I wouldn’t say that GaN is going to be the answer to those things, and neither is upping the switching frequency.

 

Bruno:  Well for a given efficiency you could probably increase the switching rate, but if I’m going to shell out as much for a pair of FETs as what you’d normally pay for the whole amp, I’d rather benefit from that in terms of higher efficiency. Of course, not everyone is able to make that choice. I’ve spent my career honing control loops, most audio designers haven’t and so have to rely on simpler control loops. In that case, increasing the switching frequency is definitely helpful to reduce distortion.

 

Lars:  We’re as fanatic about audio quality as anyone else, but because we’ve got feedback down to a T now we’re not forced to resort to higher switching frequencies.

 

Bruno:  If we need to be geeky and I guess that the folks who are going to read this interview can handle that -eh Thomas?- lets grab the specs for the FET in our 400W Eigentakt module and its closest GaN equivalent. So that’s the FDP42AN15A0 (OnSemi) on our left and the EPC2033 on our right. Rdson: 36mOhm vs 7mOhm. Clear win for GaN here. 

 

Lars:  It’s also got a higher current rating (24A vs 48A) so if we want to be fair we should be scaling by about 2:1

 

Bruno: Oh erm well, that’s still a minor win for GaN because after scaling it’d come up at 14mOhm. Gate charge is of course magnificently low (30nC vs 6nC after scaling) so driver losses would be low and you can turn them on fast. GaN also has zero Qrr so you can do that if you want. But the main thing that sticks in my throat here is output capacitance. Our good old FDP42, which is from 2002 mind you, has an output capacitance at 100V of 70pF whereas the EPC device puts in a whopping half nanofarad (or 250 puff after scaling). That means your idle losses will go up, or you will have to increase dead time to allow the output inductor to recover the extra stored energy at its leisure. And isn’t it just idle losses that more or less determine real-life power consumption in full? And if power consumption isn’t something to care about, why not just stick with class A…?

 

Lars:  And high dead time combined with high switching frequency sounds even less attractive. That just increases open-loop distortion.

 

Bruno:  In applications like motor controllers and high density SMPS GaN and SiC devices are a breakthrough, mind you. It’s just that audio is this weird application where average power is very low and where dead time actually affects performance.

 

Lars:  And GaN is going to mature so this picture is bound to shift at some point. Just not now.

 

Bruno: True. On the other hand, silicon is doing the same. More recent devices are getting frightfully close to GaN. Sadly they only come in SMD packages that require fairly expensive methods to get the heat out. Like most GaN devices. It looks terribly ancient, but the good old TO220 package is still a neat compromise in terms of performance for the price.

 

Lars:  It’s just a game of tradeoffs. The fact that we’re using normal parts, and the reason why we chose to do so doesn’t make for a sexy story. We all like to believe in a magic bullet but when you’re an engineer you have to make choices based on tangible grounds. So the sexy story we’re trying to push about Eigentakt is that we think it’s a bloody clever design.