What makes you want to go with class d? I'm not saying that you shouldn't get one, but why not consider all types and then pick the one that sounds best?
Class D with Tyler Acoustics
I have a pair of Ty's D112's coming and am really excited. I am thinking about a new pre/power upgrade as well. Like most, my musical taste is eclectic. My room has been extensively treated. And normally my source will be lossless files through a reference dac.
Class D has been on my radar for a while; i.e., W4S and Bel Canto. (Gear like Rowland and others of that ilk are beyond my budget.) Anyway, I will no doubt do a lot of auditioning, but I would like to begin narrowing down my options. I know a few A A/B's that I intend to hear, but I was wondering if any of you have successfully paired your Tylers with class D? Especially the D110 or MM5?
Thanks for the suggestions,
Chip
Class D has been on my radar for a while; i.e., W4S and Bel Canto. (Gear like Rowland and others of that ilk are beyond my budget.) Anyway, I will no doubt do a lot of auditioning, but I would like to begin narrowing down my options. I know a few A A/B's that I intend to hear, but I was wondering if any of you have successfully paired your Tylers with class D? Especially the D110 or MM5?
Thanks for the suggestions,
Chip
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- 11 posts total
- 11 posts total