Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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@likat   You are very welcome, if there are any more music suggestions you feel you need please do not hesitate as most anyone on the thread will be pleased to chime in with their favourites. Happy listening Jim.

Barber is so great! He is able to redefine what a violin concerto must be in his own term... Poetry rule over music here, like spirit rule over music in his quatuor adagio ...

If not, why am i able to put these pieces all along with Bach, Beethoven , Mozart and few others giants ?

Isaac Stern so much of a poet here....

And Bernstein the right maestro so much times, here too...

Incredible original creation... With all other musicians sounding like walking gods...

 

My favorite composer is Bach for sure for my day to day life...

But nothing can beat the Barber adagio with Bernstein if someone dream about the meaning of death...Listen to it ....

 

 

For years I've been using the first movement of the Barber concerto, with Gil Shaham on DGG, as a loudspeaker and audio system test CD.  If Shaham's violin sounds strident, then there's something wrong; likewise, if the falling bass figures in the background aren't clearly discernible, then something else is wrong.