Coincident Pure Reference Extreme


Since introduced I have not heard too much about this speaker here. I know some folks say it's SOTA...but how does it compare to other speakers in that price range such as Wilson?
rwd
Hi JWM......actually my speakers are quite far out into the room (3-4 feet?) but you're correct about the separation. I actually can't move then anymore since they would be blocking the front door. I sit approx. 6-8 feet from the main speakers. I toyed with the idea of putting them on the long wall which would allow me more separation but I'd be much closer to the mains then (3-5'). Believe it or not the stage presentation is quite good but that's for your good advice!!!!
Hi all....hi Gpgr4blu...Thanks for the compliment on my system. I made some changes and never updated the photos or description. My main amps are 2 (two) MacIntosh 275 running mono. My pre amp is a Calyspo and my TT is the TWR Raven AC1 with a Tri-Planer arm and a Dynavector DR1 cartridge.
The Coincident PRE has a wonderful lively sound and would be very easy to love. They don’t have the dead cabinet sound that most of the competition has. My comments are based on a brief review at the 2011 RMAF so take that into account.

Bob
Hi Bob...can you explain a bit more what you mean about the "dead cabinet" sound? Is this an asset to you or not? Just curious. Tks!
Hi Bob,
That's an astute sonic observation regarding the distinction between
speaker design philosophy. I can appreciate the theory of having a very
inert " dead" cabinet, less resonance, distortion, coloration etc.
Successful execution with musically involving sound is another story.
Some speakers built on the inert cabinet principle can unfortunately sound
dull, flat, lifeless (ironically dead sounding). Lacking the realistic tone,
vibrancy and sense of liveliness and emotional connection with music.
The PRE does avoid this pitfall and is very alive and engaging with much
musical communication.

Based on my listening experiences an example of a inert cabinet speaker
that implemented this approach successfully and sounds musically alive
and involving is the Rockport line (at least the one I heard).
To be fair I readily acknowledge that some other listeners would prefer the
more damped "dead" sound and not the livelier sound that
appeals to me.
Charles,