Agree with @tvad the M3 is a very even full sounding dac. If you are looking for more bottom end or softening of the top end (my Lampi Big 6 did that) look elsewhere.
DAC Choices - $5,000 to $7,000
What are the current top DAC choices in the approximately $5-$7K price range (new or used) that I should look at as possible upgrades to my current Metrum Adagio?
Having an on-board volume control is not a factor as I can operate my system either way. If I wanted to spend more I would look at Totaldac, Rockna Wavedream Signature, or one of the other top-end contenders, but I selected the price range to achieve a sound quality that is consistent with the rest of my system and because I don't want to spend more due to the still evolving nature of digital technology. I do like the more natural sound
(to my ears)
of NOS R2R DACs. So far, I have considered the three below, but none seem to be a slam-dunk upgrade from the Adagio, which still sounds pretty good in my system. The decision is complicated by having to "buy to try" so that I can hear one in my system. Maybe now is not the time for an upgrade. Any thoughts?
- Denafrips Terminator w/DSP board - Reportedly has the full body/dense tone type of sound I like, but also has a high'ish output impedance
- Holo May KTE - Reportedly measures great for an R2R DAC and has strong reviews
- Rockna Wavelight - Some reviewers like it but others put it in the middle of the pack for the price
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@grannyring Hey Bill, do you know why it's desirable to have class a/b opamps on the dac output (as in the Mojo Evo)? After reading so much about the benefits of class a in amplifier design, I have trouble figuring out why a/b would be more desirable on the i/v stage of the dac? Not criticising at all, just trying to understand the design decision... |
https://www.denafrips.com/ https://www.stereophile.com/content/gramophone-dreams-40-denafrips-terminator-ares-ii-measurements In his September 2020 Gramophone Dreams, Herb Reichert reported on two D/A processors from Chinese manufacturer Denafrips: their flagship Terminator, which costs $4498, |
I contacted Ben at Mojo Audio. Apparently there is a lot of interest in the Mojo Audio Mystique DACs, including refurbished V3s (if you can find one to refurbish) and especially the newer EVO range which Ben says is noticeably better sounding. Kudos to Mojo Audio for supporting their older products. The level of interest has resulted in some necessary lead time between ordering and receiving a DAC, which is expected. This success also indicates the design parameters must be effective and
is a good thing for Mojo Audio. I continue to be impressed with what he is doing with the power supply and would not be surprised if I were to like the sound. While, for me, cost is not necessarily the overriding factor, I do like to keep things in perspective relative to not only the rest of my system but also to what I really want to spend for this purchase (vs. perhaps a really high quality gravel bicycle), and especially given the temporary nature of digital electronics where everything is the flavor of the day but it seems like the shelf life is only 2 or 3 years (in many cases) before something better comes along. In the case of the Mystique EVO, it starts at $6K for the base model (which is in my range) but there are multiple options that are a "notable improvement" and can quickly push the price up by up to a couple of $K. The middle of the range "bang for the buck" (B4B) model is $8K and subject to options as well. This is well into Totaldac territory so I need to consider whether their products fit my purchase parameters. I will not rule out the Mojo Audio DACs since the design philosophy seems to be aligned with what I have found to sound good, and also because they are a USA company that supports their former products, but I may take a step back and ask myself, since things sound pretty good now, what do I want to pay to move forward, especially with digital gear, where the cost to performance curve continues to flatten out as technology improves. |
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