In smaller European rooms, the room lift will help out with the bottom end.
In bigger north American rooms, not as much, as averages go.
Most speakers need to be ’interviewed’ with room size and position as part of the analysis. Both a useless obvious statement -- and needing to be said.
All that said, a pair of 7’s (per side) will work wonders in most mid sized rooms. Extreme low bass that is as full range as it can possibly ever be tends to require perfected rooms be built or found, as well as the same applied to the speaker.. Which most can’t or won’t do. At any level of expense or income.
Few understand that bass control in a room is actually the most potent and difficult part of acoustics to fix and tame at the same time it is the least understood and most badly attended to by experts or the layman. None of our acoustical standards even have the guts to pay attention to bass, it’s all magic and mystery down there, according to those ’standards’. (weighting standards for measurement, etc). They ignore that which they can’t make sense of or understand. Bass reflex as a realized system that is in heavy use illustrates this point quite well. (Exhibit A kinda thing)
(the most informed and capable person I know of in room acoustics, by far.. is my Biz partner Taras, the approx 60 film set acoustics systems under his belt, is the least of his resume)(lots of things I’m not allowed to mention or talk about)
Giant extreme bass is like a rock hard suspended track day car. Fun for those few times it can be entertained as conjoined to the given musical source/package. Look how extreme I am! For regular life... the other +90% of the time...not entirely like tits on a boar and a hindrance, but warming up to it...
In bigger north American rooms, not as much, as averages go.
Most speakers need to be ’interviewed’ with room size and position as part of the analysis. Both a useless obvious statement -- and needing to be said.
All that said, a pair of 7’s (per side) will work wonders in most mid sized rooms. Extreme low bass that is as full range as it can possibly ever be tends to require perfected rooms be built or found, as well as the same applied to the speaker.. Which most can’t or won’t do. At any level of expense or income.
Few understand that bass control in a room is actually the most potent and difficult part of acoustics to fix and tame at the same time it is the least understood and most badly attended to by experts or the layman. None of our acoustical standards even have the guts to pay attention to bass, it’s all magic and mystery down there, according to those ’standards’. (weighting standards for measurement, etc). They ignore that which they can’t make sense of or understand. Bass reflex as a realized system that is in heavy use illustrates this point quite well. (Exhibit A kinda thing)
(the most informed and capable person I know of in room acoustics, by far.. is my Biz partner Taras, the approx 60 film set acoustics systems under his belt, is the least of his resume)(lots of things I’m not allowed to mention or talk about)
Giant extreme bass is like a rock hard suspended track day car. Fun for those few times it can be entertained as conjoined to the given musical source/package. Look how extreme I am! For regular life... the other +90% of the time...not entirely like tits on a boar and a hindrance, but warming up to it...