Difference in quality in products made in China?


There is a belief among many audiophiles that electronics assembled in China or Korea are not as well made as products assembled in the USA and England. This has nothing to do,(I believe) with the "technical abilities" of workers, as it has to do with standards of quality control, and the sourcing of less quality parts throughout Asia

This may be all hogwash and just biased opinion, but this question comes up to often to be quickly dismissed. From my own experience which is limited compared to other members, the products(amps. pre-amps CD players) I have owned that were made in the USA, or UK, and Canada, have been solid in terms of long term reliability. I would like to hear others opinions on this issue.
sunnyjim
The weirdly racist and unsubstantiated claim that Asians have more "nimble fingers" is utter nonesense. There are simply a LOT of Asians to pick from and therefore a lot of Asians around everywhere (especially in Asia!)...I grew up in Honolulu which is basically an Asian community and learned firsthand that common racial stereotypes are always ignorance based bullshit.
I have had no problems with workmanship of Chinese gear.
It's the counterfeit components they put in that annoys me.
Eg. the Ming Da stuff, even those "properly imported" by the US "distributor". There is no shortage of Rudeyconn caps... and I am not kidding.
Also is the utter disregard for safety. No bleeding resistors across 1st stage filtering caps, no elevated filament voltage for SRPP gain stages etc.
The weirdly racist and unsubstantiated claim that Asians have more "nimble fingers" is utter nonesense. There are simply a LOT of Asians to pick from and therefore a lot of Asians around everywhere (especially in Asia!)...I grew up in Honolulu which is basically an Asian community and learned firsthand that common racial stereotypes are always ignorance based bullshit.

Wolf-garcia, I appreciate your conscious efforts towards being politically correct however my assumption from your post would be that you have limited contact with pedagogues and students in a conservatory situation. This claim is far from being my own generalized assumption but rather information passed on from piano and string players and instructors involved in the classical music field. The most notable being a non-racist minister and piano instructor who attended several excellent conservatories on the east coast. My logic and intuition tells me to believe professionals in the field with venerated standing and honorary credentials.