Al, Kinjanki, Scvan and Jea48 thanks for the references and posts to an interesting subject. I feel I am getting some truthful and pretty much non biased information I can use to consider how to evaluate and what to work with in my system.
Directional speaker cables - switching direction
Some time ago I started a thread regarding speaker wire directionality and my inability to understand how it could have any affect on sound quality. The question was inspired by the fact that, after quite a few years using them with my Martin Logan Odysseys, I discovered that the cables (Straightwire Octave 2) had arrows printed on them. Not surprisingly the opinions expressed were pretty strong on both sides of the argument but those supporting directionality were the most vociferous and in greater numbers, one to the point of being downright insulting. In no case, though, was an explanation given by those supporting the importance of cable direction for how this phenomenon occurs except that it should be obvious that when a cable is broken in in one direction only someone with an uneducated ear would be unable to discern the difference.
Even though I still don't get it I'm not taking the position that there is no validity to the directional claim; if there truly is I just don't understand how. This leads me to my two part question. I haven't been using the Octaves for a few years but now, because of cable length issues, I want to put them back in my system partly to avoid the cost of new quality cables.
IF, then, the directionality theory IS valid and I don't recall which way the arrows originally pointed or which direction they were "broken in" do those in support of directionality think I should install them with the arrows pointing toward the speakers
Even though I still don't get it I'm not taking the position that there is no validity to the directional claim; if there truly is I just don't understand how. This leads me to my two part question. I haven't been using the Octaves for a few years but now, because of cable length issues, I want to put them back in my system partly to avoid the cost of new quality cables.
IF, then, the directionality theory IS valid and I don't recall which way the arrows originally pointed or which direction they were "broken in" do those in support of directionality think I should install them with the arrows pointing toward the speakers
- ...
- 133 posts total
I agree. Existing technology test equipment cannot measure the differences.... That does not mean they do not exist though. But the trained human ear can hear the differences. >>>>>>>>>>>>>> Existing technology..... >http://www.audioasylum.com/audio/general/messages/55/558658.html . Jim |
Here is the Link for the Sterophile/transport Delight article I quoted earlier. . For some strange reason when I paste the link between the [url ]....[/url] brackets the web site is not displayed. |
Mike, thanks for your comment. Getting back to speaker cables, it occurs to me that what I said about connector-related impedance discontinuities in relation to digital cables may have some applicability to speaker cables as well. Speaker cables will to some degree act as antennas, picking up Radio Frequency Interference from various sources, such as nearby cables, power cords, digital components, switching power supplies, light dimmers, fluorescent lights, possibly wifi and even radio stations. That RFI will presumably be at frequencies that are too high, and at amplitudes that are too low, for the speakers to reproduce it and for our ears to hear it. However if the amplifier uses feedback, and if (as I would expect to often be the case) the amplifier's output impedance at RF frequencies is significant, some of that RF energy will be introduced into the feedback loop. Non-linearities and intermodulation effects within the amp may then result in that energy affecting sonics at audible frequencies. And the magnitude and frequency characteristics of the RFI that is injected into the feedback loop can be expected to vary to some degree depending on the differing impedance discontinuities and mismatches at the two ends of the cable. The magnitude and frequency characteristics of the RFI that is injected into the feedback loop might even differ significantly depending on the exact physical placement of the spade lug or other termination on the binding post, and/or its positioning relative to nearby metallic surfaces on the amp. As I said early in this thread, when hard to explain and/or seemingly implausible phenomena are being addressed, multiple back and forth comparisons are called for, to be sure that the observation is being attributed to the right variable, as well as to verify that perceived differences are perceived consistently. Best regards, -- Al |
- 133 posts total