Yes, I now recall that you did mention somewhere in the past that you owned an RS-A1. I've never sold mine, but I don't use it for reasons stated. However, it too sounds better than it should given its shortcomings when you compare it to conventional tonearms.
My test process is based on more than 40 years of listening to a wide variety of turntables (5 TTs up and running), tonearms, and cartridges, and on recent years of being able to listen to any of several turntables, each with a different tonearm and cartridge, using one of two different audio systems. This enables me to make rapid transitions (I can move a cartridge between turntables or between two tonearms or between two completely different systems, for example, in minutes, in order to evaluate that cartridge in isolation. The same can be done with other elements of the chain.) But such evaluation is always limited in the sense that it is always subjective. I do own and use oscilloscopes (Techtronix, Sencore), audio frequency generators (HP), meters of all kinds, and a laboratory microscope, which I most often use for diagnostic and repair purposes. I also have trained as a vocalist and even performed several times, back 10 years ago or so. We attend live music performances at least once a month and more usually 2-3 times per month in the DC area, where there are a plethora of great performers. I am also a member/donor to the Kennedy Center, and we attend often.
This is all a useless argument between us. I say the Viv Float sounds very good and has some characteristics that are near to uniquely good among tonearms I have heard. I am interested in why it sounds good. And in the process, I have come to doubt certain gospels of modern pivoted tonearm design and the origins of these "gospel truths". In contrast, you say the Viv simply cannot be good. Let's agree to disagree without disparaging each other's qualifications to have an opinion. That's what you just did do, despite your follow-up claims to the contrary.