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Do electrolytic caps need burn in?

I tried swapping a pair of amp/preamp line output coupling capacitors (DC blocking).  The stock units were run of the mill Panasonic electrolytic.  I put in Mundorf Mlytic AG.  I know this particular Mundorf (and most large electrolytics) are for power supply use, but the application calls for a large 6800uF so that the system can be used as a small amp or preamp.  Since I'm using the unit mostly as a preamp, I guess I could go about 1/10 the size and try to use a film cap.. but anyways, that is besides the point.

The question here is, do electrolytics (specifically this Mundorf) need burn in?  I ask because I'm hearing the opposite of what most people hear on caps that are not adequately burned in.  The usual complaints with caps without proper burn in are lack of bass, shrill highs, etc.  The Mundorfs have increased the bass output and possibly added some texture to the mids (the good), but the highs have disappeared.  I'm wondering if the highs will come back over time?  I wouldn't say the top is rolled off, but it is just shelved.  Any details that are carried in the upper frequencies is obscured and recessed.  The life of the sound has been sucked out.  Hopefully this doesn't qualify as "audiophile" tuned warm sound.

I have considered putting a small Russian teflon cap in parallel to the Mundorf, but the values I have are too small to probably make a difference (820pF).  I also don't think this bypass should be required to get nominal levels of treble in the first place.

I've got about 5hrs on the caps now, and they sound exactly the same as time 0.  So are the Mundorf's going to open up the highs with time, or should I just move on to another cap?  I will try the bypass before I throw in the towel on the Mundorf.  The point of reference is the stock Panasonic caps, which are fairly neutral, with good top end extension and detail.
manthik
manthik OP
20 posts
 
After sorting through all the choices, I finally settled on a huge pair of polypropylene 1000uF caps made for commercial power supply applications (solar power).  I found them cheap on ebay.  I got them custom mounted.  All the highs and the details are there.  Very well balanced cap.

The shunt film cap on the large EL never worked over the long term.  Over time, the combined cap would sound more like the EL cap (I think the film caps I was using were still burning in).  Also, the film cap values were too small relative to the EL cap to make a difference in the long run.  As one might expect, no EL cap can stand up to a good film, and that goes for all of the best.  For EL caps, I tried Mundorf, Elna Silmic II, Nichicon, etc.
Post removed 
erik_squires
16,295 posts
 
Pass doesn’t use ELNA silk caps.


I’m pretty sure he doesn’t use electrolytic coupling caps anywhere! :)

But I read somewhere he recommended them as the best of electrolytic bipolar caps. Possibly from here:

https://www.head-fi.org/threads/elna-silmic-vs-silmic-ii.405280/

Best,
E

atmasphere's avatar
atmasphere
11,896 posts
 
After sorting through all the choices, I finally settled on a huge pair of polypropylene 1000uF caps made for commercial power supply applications (solar power). I found them cheap on ebay. I got them custom mounted. All the highs and the details are there. Very well balanced cap.

The shunt film cap on the large EL never worked over the long term. Over time, the combined cap would sound more like the EL cap (I think the film caps I was using were still burning in). Also, the film cap values were too small relative to the EL cap to make a difference in the long run. As one might expect, no EL cap can stand up to a good film, and that goes for all of the best. For EL caps, I tried Mundorf, Elna Silmic II, Nichicon, etc.
The value of the part can make a difference. There is more nuance to power supply design than initially meets the eye. If the cap values are too large, the impedance curve of the output of the supply might not be a good bypass at high frequencies even though the overall output impedance might be lower. If too small, bass might not be well bypassed. This can change depending on the performance of the caps used- better caps can often be larger values. But you have to watch your timing constants (as a general rule of thumb, the TC of the power supply should be at least an octave lower than the TC of the audio circuit its supplying, and not much more!) and if you have regulation, many regulators won't be happy with larger values (and might have shorter lifespans too).
This is the tip of the iceberg! I would not write off conventional electrolytics though; if used correctly they can perform as well as film caps. If. Used. Correctly. YMMV but IME we've had terrible luck with using more exotic electrolytic capacitors; they don't seem to work as well as more middle-of-the-road parts. Quite often they wind up sounding dark.


manthik OP
20 posts
 
Hi @atmasphere , the cap I was discussing was actually being used for output coupling in an amp/preamp.  Stock value is very large, because the circuit is meant to drive a speaker load.  I noticed the Mundorf EL cap in this location was inherently dark sounding (no highs).  Anyways, thanks for the comments.  Im currently happy with the large polypropylene film caps that are in use (havent touched them).  At 1000uF and high voltage rating, they are as big as the chassis for the amp haha
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