To add to Halcro's post - most American orchestras are actually playing at 442, many of them stating this to their applicants when they have openings. The San Francisco Symphony and the Pittsburgh Symphony are two current examples. In Europe, the average is usually a little higher yet nowadays. My orchestra is one that does still try to keep the pitch down at 440. Almost never will you hear an orchestra below that anymore; most orchestras around the world will be somewhere between 440 and 444.
Do you use variable speed on your turntable?
My turntables JVC TT101 and TT81 both have elaborate speed controls which allow quartz controlled accuracy when the speed is changed in small controlled increments, faster or slower than the selected 33 1/3, or 45 rpm speed.
Many turntables allow this controlled speed variance but besides dj's looking to match beats, who ever uses this very expensive feature? When my tables were made no one was beat matching as far as I know so dj's needs didn't drive this design. I can understand this on 78's because of inaccurate recording technology, but there isn't a 78 speed on these turntables and modern records are probably 99.9% accurate so that wasn't the consideration either.
So what is the point?
Many turntables allow this controlled speed variance but besides dj's looking to match beats, who ever uses this very expensive feature? When my tables were made no one was beat matching as far as I know so dj's needs didn't drive this design. I can understand this on 78's because of inaccurate recording technology, but there isn't a 78 speed on these turntables and modern records are probably 99.9% accurate so that wasn't the consideration either.
So what is the point?
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- 25 posts total
- 25 posts total