Doug Schroeder Method, Double ic


I think this topic deserves its own thread , where use double ic through y adapters , from source to preamp, Can’t connect it from Preamp to Amp...For me the result is huge, I can’t go back to single ic....
128x128jayctoy
doug - do you plan on reviewing any of the Exogal Vortex streamers ? Simple yes or no will suffice . Thanks,mike
Doug....there is no doubt about it now. The Schroeder cables are the very best I’ve heard in my system. I’ve tried many levels of Cardas, Kimber, Purist, Wireworld, Audioquest (interesting to me is that the ultra high level of Signature cables was not nearly as good as their top lesser grades), etc., etc. None have the openess, dynamics, depth, etc. as your cables do....and far less money. Bravo! Perhaps each system just has its preferences...I don’t know. It takes a couple of days to find the gold, but for those who are trying it, be patient and enjoy. It was so interesting to hear the journey. At first....rolled highs, no real, but tubby bass, no air. All the sound seemed to be coming from the left speaker grill cloth. I even checked the attachments to see if I wired it correctly. I really couldn’t hear as it was changing....just a realization that the soloist was now dead center...then came the openness..... The low bass was next. I have Vandersteen 5A speakers which was set up by Vandersteen himself who proclaimed my room was just not capable of those really low tones....yet...they are now evident....they are clean, pitch specific, and fully incorporated in the sonic picture. I can go on, but I simply encourage all to try these cables in your own system.
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There is certainly something going on with the Schroeder double interconnect (DI) arrangement.
I'm have two sets of DIY DI's which I've made up with low cost Mogami w2534 star quad microphone cable - terminated to single xlr connectors, i.e. no 'Y' adapters. The DI's are between my Benchmark DAC3L, HPA4 pre and bridged mono AHB2's
I'm getting greater apparent dynamics/impact, better separation and dimensionality to instruments/voices  - which seem to be presented in bolder relief with better timbral detail - and a more expansive feel to the soundstage but without loss of focus. There is also a non-fatiguing quality to the music that doesn't seem to impact detail.

I'd still like to do further listening to see if there are any negative consequences to these changes.