Dunlavy SC IVa or B&W 802


if there are available for $4,000, which should I get for jazz, classical, sometimes movies for Musical Fidelity dual monoblock A3.2 version.
thanks
128x128badam
The most amazing thing about the Dunlavy is the fact that once they are dialed in (not a simple feat) those monsters simply disappear! I still sit in amazement how nothing appears to come from the two 6' behemoths sitting in my room. Very cool!
I fully agree with JD. Once you get the Dunlavys set up properly, they throw an amazing three dimentional sound stage. In my room, they have bested speakers costing 6 times as much. At their current prices, these speakers are a steal. Do youself a favor and jump on them.

By the way, we use our Dunlavy Vs for movies as well and we never miss the center channel.
curious how people have their IV-A's or V's set up and in what room sizes....I have my IV-A's about 11 feet apart and toed in a bit, listening position is around 12.5 feet away. Room is 20x23x10.5
The room is 17'-6" x 13'-4" x 8'-0". I have set the speakers on the long wall as recommended by the speaker manufacturer. The tweeters are placed 2'-8" (approx. 1/5 the 13'-4" dim.) out from the front wall and 3'-11" (a min. of 1/3 greater than the front wall) from the side walls. This means they are 9'-8" apart and the speakers are toed at 31 ½ degrees. My head is set 4'-5"(approx. 1/3 the 13'-4" dim.) from the back wall which in turn leaves my ears at 8'-0" from the tweeters. This is a bit more "near field" than what is usual, but the recommended alternative of my head against an acoustic panel on the back wall is not possible in my room.

jd
This one's easy...there is no question about it, Dunlavy's are accurate in time and phase and reproduce accurately the signal fed them by the partnering amplifier.

This is an exceptional, albeit out of production, speaker.

Check out the step response of B&W. Why would anyone want a speaker that inverts part of the harmonic content of the signal fed to it?