Dynaudio or Ohm?

Thanks, Mapman for such well thought-out information. It makes me want to hear some symphonic music thru the Ohms.

I have good power conditioning and a high power/high current amp with the Sunfire, so driving either speaker is no problem. The only flaw of the Dynaudio is the less than stellar performance at low volume; once it receives enough current is when it performs.
How does the Ohm perform at lower volume, IOW late nite listening?

The OHMs tend to shine best opened up at higher volumes, but do fine at lower as well and I listen to them both ways frequently. An amp that does not have too low a damping factor will help keep things clean and tight at all volumes.

Some might prefer speakers that tend to be a little hotter or brighter at lower volumes though. Frequency response of human ears is not flat and tends to drop off for higher and lower frequencies at lower volumes in particular. Loudness controls used to be mainly to help compensate for that.

If I were restricted to low volume listening, the OHMs would probably not be my first choice. A smaller good quality monitor would work just fine. I tend to like my little, easy to drive Triangle Titus XL monitors best at low volumes actually, though in a quiet room in particular, The OHMs or Dynaudios are fine as well.

I think it has more to do with the dropoff from speakers playing at realistic volume levels to artificially low ones. With teh OHMs, the difference is bigger. With smaller monitors in particular not so much. In fact small speakers tend to sound their best at low volumes when not under much strain. It is really not very hard to get good sound at low volumes. Higher volumes is what separates the men from the boys.

While I've never heard those particular Dyn's I have heard the Contour's (which I heavily considered buying) and currently own Ohm Walsh 3's which are way down the ladder from what you're considering. Comparing Ohm's to most direct firing loudspeakers is a tricky proposition, they simply project music in a way that is so relaxed and easy sounding that it's difficult to describe without hearing for yourself.

If you are an overly critical listener (which I used to be) they may disappoint, but for room filling, sound good anywhere Hi-fidelity I can think of nothing outside of Shahinians or the mega buck German Physiks which would compare to the Ohm's. They are the first speaker (out of WAY too many) that my wife actually sat up a declared "these sound great!" and she sits far from the sweet spot in the room they reside.

I hate to use this term but to me they are an audiophile's "Lifestyle" speaker, or if you prefer they are a music lovers speaker, either way, they are keepers for me, good luck!

The thing about the OHMs is over teh years I have run them indoor and out, off many amps of all sizes, and they are never the bottleneck. They can take whatever you throw at them, at most any level. Most amps will clip before the OHMs reach their limit. Plus, I have never had an amp manage to damage one at any volume, indoors or out. I'm sure they are not indestructable, but for all practical purposes, they may be the most so of anything out there. Plus all moving and delicate parts are enclosed and never exposed where nasty things can happen by accident. I would never let small children near my Dynaudios but there is little they could do to the OHM Walshs save perhaps knock them over or maybe tear the grill cloth if they really tried.

Also I would agree with Polarin's comments.

If you want to listen critically from anywhere in the room and not just a small sweet spot, then the choice is automatic. That's a big one for me personally. But the sweet spot done well is pretty darn good as well.

Currently I have a 60 w/ch Bel Canto c5i Integrated Amp driving my smaller OHM 100s3s in my family room and teh bigger OHMs and the Dynaudios in more dedicated listening rooms downstairs.

The c5i/OHM combo can't match the other running off 500w/ch ref1000m amps in terms of going loud and delivering the goods with large scale recordings at realistic volumes, but otherwise still goes plenty loud for most things and the combo is still one of the best I have assembled over the years up to its limits.

The ref1000m/OHM F5 S3 combo is still the best I have assembled overall ever by far and I feel that one can be compared fairly with any of the big boys I have heard in various places over the years.

The ref1000ms with the smaller Dynaudio Contour 1.3 mkII speakers in a much smaller room is absolute top notch as well with some minor limitations though in that it cannot be considered quite as full range as many. I run the smaller OHM 100S3 in taht room in place of the Dyns sometimes and with those, there is nothing more practically to want in there (my 12X12 office/listening room).

Thanks, Polarin. We're all critical listeners at times, but I think you made your point.

I'm not looking for a detailed speaker with crisp highs (as so many modern spkrs are). I'm looking for a natural presentation where I can enjoy symphonic music or a string quartet with realistic timbre and concert hall ambience.

And you used the term I wanted to hear; that these speakers are "keepers."